loud, shouting Si down. âI can hardly hear you!â
The silence of the men watching me is deafening. Si stares at me for a moment.
âAh, I see,â he says. âItâs time for the sinister voice, is it? Very well, Master Dyer, I shall see what I can do. But give them a good performance, because I fear this will be the performance of your life.â
Why did he have to add that last bit?
âCome, Spirit, come!â I yell at nothing at all. âTell me your troubles!â
Iâm glad Mrs C isnât here or sheâd make me staract in the school show, for sure. I lift my arms and point into space and shout âHe comes!â, though even I can see thereâs nothing there. Then I shrink back, holding my arms up like Iâm trying to protect myself from some invisible phantom. I stagger and cry out, turn a complete circle and clutch at a pew as I fall to the ground. Thereâs a choirboyâs cassock and a pile of bibles on the pew, and they fall down too. Oh, and Gubieâs skull in the cage. Letâs not forget that.
Eat your heart out, Hamlet!
But if Iâm expecting applause, Iâm disappointed.
I glance up. Simonâs got one hand over his face, but itâs the others, the living men, Iâm trying to impress. From them thereâs nothing and Iâm wondering if maybe I hammed it up a tad too much.
âHow did you know?â I call out to Bagport, but when he replies I can tell from his voice that what heâs just seen was a bit too cheesy even for him.
âKnow what? This had better not be a wind-up, kid, or youâll wind up falling off the church tower.â
âAbout the sword?â I say, making stuff up quick. âThe knightâs sword? Thatâs why weâre here, yeah? You knew it was here in his tomb?â And when thereâs no reply I add, âThe jewels alone must be worth a fortune.â
Thereâs a long pause.
âYou sure about this, boss?â says the lock-breaker.
Bagport looks down from the pulpit, and I can tell even from here that heâs suddenly embarrassed. After all the effort heâs been to, heâll look pretty stupid if itâs all a load of rubbish â which it is â and Iâm guessing heâd not want his men seeing that.
âYeah, I didnât see nuffin, Boss,â goes the driver. âIs this kid for real?â
âHeâs a freakinâ nutter!â says the lock-breaker and from the altar Ringpull grunts.
Uh-oh.
Bagport looks from his men to me, but itâs too dark for me to see his face.
Then he snaps his fingers.
Ringull jumps down off the altar and walks over to me. Iâm still lying on the ground, surrounded by bibles and the cassock. I look up at the huge man and wonder if thereâs even any point getting up, but I donât have to wonder for long because Ringpull leans over and with one hand he pulls me off the ground like Iâm the wrong bag of shopping. He reaches his other arm back, and I can tell Iâm in for the mother of all head slaps, so I shout âWait! The sign!â
âLet him speak,â says Bagport.
âAckâ¦â I manage to choke out past Ringpullâs grip. âBehold the sign! See, where the ghost comes⦠gah!â
And right beside me the white choirboy cassock lifts off the ground.
Itâs Simon of course, using his initiative for once, as well as his spooky powers to raise the cassock, but the bad guys donât know that, do they? As it lifts, the cassock fills out and for a moment it takes on the shape of a man.
There are gasps from round the church and Ringpull drops me, wide-eyed. Bagportâs swearing again and again in a trembling voice as, in front of four grown and hardened men, the white ghostly figure raises one arm and points at the tomb of the knight.
Then the cassock collapses and I see Si slip out from under it. Heâs used all his spook powers in