one go for that trick, but boy, what a corker! Bagport and his men canât deny the evidence of their own eyes and theyâre terrified. I think the lock-breakerâs actually wet himself.
I stand up and brush myself down.
âLetâs get this tomb open then, shall we?â I say.
12
A PEW WITH A VIEW
I push at the stone slab on the tomb, and make a lot of straining noises. This is still part of the act, you understand. I mean, obviously I canât move the slab on my own, but right now I donât actually want to.
âGet back, kid!â gasps Bagport as he staggers down from the pulpit, still swearing, and snapping his fingers like heâs close to losing it.
Heâs genuinely rattled by what heâs just seen, but at the same time, the chance to lay his hands on afabulous jewel-encrusted sword keeps him sane.
âRingpull, close your gob and get pushing!â
Ringpull pulls himself together and throws his enormous strength against the slab, but it doesnât budge. He tries again and again, and then stops. He pulls his jacket off and rolls up his sleeves. He hangs his jacket on a pew.
Along with the camera.
âQuit gawping!â Bagport yells at the other two men. âGet your backs into it!â And as the men push their guns into their belts and start shoving, even Mr Big lends a hand. With all four of them straining at the weight thereâs a short deep scraping sound as the slab begins to move.
âPush harder!â yells Bagsy.
The slab grinds right back, till itâs almost toppling onto the ground.
But before that can happen, itâs time for me to act.
âLook out, behind you!â I shout, and the men turn to me in alarm.
FLASH!
I get a great shot of the four of them.
FLASH!
Gangsters, grave robbing tools, open tomb â
check
!
Then Iâm running.
I yank the door open, jump left and race into the dark graveyard, leaving the path behind me.
I donât know which one comes after me first â I was banking on them all being blinded by the flash â but thereâs someone behind me pretty quick.
âRun, Daniel!â cries Si. âHeâs got a gun!â
Crapsticks!
Thereâs a BANG! behind me as the gun goes off and the top of the gravestone Iâm ducking behind explodes. Bits of stone hit me in the face, but I canât stop now. Iâm zig-zagging and itâs dark, so I donât see the person I run into till Iâve run right smack bang into them.
âOw!â says a womanâs voice. âWhat in heavenâs name is going on?â And in the dark, as I roll on the ground, I see her standing there. I also see a white square at the womanâs neck, as well as the slathering teeth of two enormous dogs at her side.
âEr, hello Vicar,â I say at the top of my voice.
Thereâs a very loud and very rude word in the dark behind me, not the kind of thing lady vicars expect to hear in their own churchyard, Iâm sure, but this lady vicarâs obviously not the scone and raffle-tickets type. Thereâs an eruption of light as she turns on a torch.
âGet back here this instant!â she roars at the man who was following me, only now heâs running away as fast as he can. âOr Iâll set the dogs on you!â
Thereâs more frantic running by the church as four dark figures race down the path, and then thereâs the sound of car doors slamming. Mr Bigâs car roars off without its lights on.
Quiet falls over the graveyard.
âThanks,â I say, as I get to my feet. âThat was, er, more interesting than the last time I went to church.â
Thereâs sudden light as the vicar turns the torch on me. I shield my eyes and try to picture what she must be seeing: a skinny kid with mad hair and purple glasses, and a black leather coat with deathâs heads Tippexed on it. A kid whoâs handcuffed to a golden cage with a human skull in