leave him. It was going to be all right. He heard her cut back the throttle and drop the engine out of gear. Then when he turned his head again he felt himself grow cold all over. There was a spot of golden color just to the left of the lined-up masts. It was Warriner’s head. He was standing on the companion ladder, looking aft.
Nothing seemed to move. There was a piercing clarity about every detail of the scene—the foreshortened hull pointed toward him, the little curl of bow wave under her forefoot, the tall spires of Orion achingly white against the sky, and just this side of Rae’s face that spot of gold like a medallion poised on edge above the cambered top of the deckhouse—but the whole thing was frozen like a single frame of motion-picture film with the projector jammed. Saracen was seventy-five yards away, with Warriner’s head just beginning to turn. A few seconds either way could decide it, but they were something over which he no longer had any control.
Maybe nothing would happen. Maybe he actually had forgotten the people he’d locked in there to drown. Or if he’d really been asleep, maybe his reaction time would be off just enough to make the difference— The film jerked then, between the down-thrust oars and the stroke, and the projector began to run. Warriner’s head swung on around, and he saw the dinghy and the sinking Orpheus beyond. He leaped the rest of the way into the cockpit, and his figure merged with Rae’s.
Ingram heard the engine race, still out of gear. It slowed and came back up again almost in the same instant, with the load on it now. Which way would he turn? At the risk of a fraction of a second’s raggedness in the beat of the oars, he had to turn his head and look. Saracen loomed over him less than four lengths away, the gap closing faster now as she gathered speed, but she was already beginning to swing to starboard. He dug in his left oar and spun the dinghy around almost at right angles to cut across her course.
Saracen, in a hard-over right turn, was on his left now. He could see Rae fighting to reach the ignition switch. Warriner, holding the wheel with one hand, threw her back. She fell to her knees on the short section of deck aft of the cockpit, but sprang up and flung herself on him again. Ingram’s eyes stung with sweat, and the oars were bending as he threw the dinghy forward. The engine roared at full throttle; Saracen’s bow was swinging off faster now than he was gaining, but the stern was still coming down toward him. Twenty yards … fifteen … The locked and struggling figures in the cockpit suddenly burst apart. Warriner’s fist swung, and Ingram saw her fall. She lay in a crumpled heap on the afterdeck, unmoving, one arm dangling over the stern as if she were calling out for help. Ten yards … four … three … The turn was completed now, and the stern was beginning to draw away from him. He gave one more desperate heave on the oars, stood up, and flung himself at the rail. The dinghy kicked backward under him. His outstretched hands were two feet short, and then he was in the churning white water under the quarter.
He was already behind the propeller, or he might have lost an arm. He felt the solid kick of the water thrown back from it whirl him over, and then his head was above surface and Saracen’s stern was ten yards away. It dipped as her bow rose to an oncoming swell, and for an instant he could see Rae’s figure face down on the afterdeck, her hair very dark against the bleached and weathered teak. “Jump!” he yelled. “Jump! Get off!” She lay motionless.
For the first time in his life at sea he completely lost his head. It lasted for only a moment, and when he realized what he was doing, that he was threshing madly at the water, trying to swim after Saracen’s receding stern, he got control of the panic inside him and brought himself up. Lifting his face above water, he roared out once more with all his remaining breath, “Jump,
Alexa Wilder, Raleigh Blake