Dead Centre by Andy McNab Read Free Book Online Page B

of them or had mates there. Apart from anything else, I’d only learnt a phrase or two of Russian in the time I’d been in the country. There wasn’t much point. Moscow was one of the big tourist destinations these days and most people knew enough English for me not to have to learn Russian. If they didn’t understand me I’d do the British thing of pointing and shouting. It seemed to do the trick. I’d nod at the regulars, but only if they nodded at me first. Police and Mafia tend not to be the most sociable of people, and that was the way I liked it. I also liked coming in early, before the first tourists Rambo’d in and the place got packed.
    Standing in my cubicle, I put the target out at about ten metres. I loaded a mag, pulled back on the top slide, and let go so it rammed a 9mm round into the chamber.
    In the movies, when actors load semi- or automatic weapons they always pull back the top slide and keep hold of it as it goes forward. It looks good, but it’s bollocks. You’ve got to let the top slide go. The spring then forces the next round out of the magazine and into the chamber. Hamper this action and you’re going to have stoppages. Law-enforcement agencies all over the world have trouble training recruits because of how they’ve seen the likes of Russell Crowe fuck it up on screen. When a Hollywood hard guy takes cover against a wall, the camera shows him with his weapon up, barrel near his face and pointing at the sky. It’s yet more bollocks. The weapon’s got to be pointing out towards the threat. The reason directors show it the way they do is so you can see the sexy weapon very close up, so it’s next to the actor’s head and you can register his emotion before they cut to the next scene.
    I still used the Weaver stance when I shot. Your body became a firing platform by adopting the stance of a fighter. My legs were shoulder-width apart, left leg forward so my body turned forty-five degrees to the target. Now I was balanced forward and back, left and right.
    The eyes are the aiming mechanism and the brain is the decision maker of when to fire, but everything else is used to create stability for the weapon. The web of my right hand was pushed hard and high into the grip. The higher the grip, the better the bore axis, the better the control of the weapon as the muzzle jumped when I fired. That was important. If I had to draw down outside this club it wouldn’t be just one round at a time and at a paper target. Semi-automatic pistols are designed for a high grip. When the top slide comes back to reload after a round is fired, it needs to move against the abutment of a firmly held weapon frame. If not, the top slide may not go all the way back and may not be able to reload. Then I’d be fucked.
    My bottom three fingers were like a vice. My thumb was wrapped round the other side of the pistol grip. Only my trigger finger was free. It was the only thing that was allowed to move. Fuck the gentle tremor that I knew would be there as I aimed. This was a lump of metal that had to be controlled if it was to do its job. If I gripped the weapon and aimed correctly, the tremor would be where I wanted to hit.
    I brought the weapon up towards the target, my support hand wrapped around the dominant hand. My shoulder was forward so my nose was closer to the target than my toes. My right arm pushed the weapon towards the target as my left exerted rearward pressure so the platform was rigid.
    I lifted the weapon to the centre mass of the raging Russian. Both eyes fixed on the target; dead centre of mass. The weapon’s metal foresight came into my vision and became my primary focus. The target and the rear sight were now just blurs. I made sure the split at the back of the rear sight was level with the foresight. Then everything blurred as I focused on the foresight with both eyes.
    As I squeezed, I felt the trigger safety with the first crease in my finger, the small lever that released the trigger