gets back up and walks out of the room.
“Now, where is she going?”
“I don’t know,” I tell them. I really don’t. She returns to the room a couple seconds later, holding the sketchbook I bought her. Sitting back down in the chair, she opens to the first page and starts drawing. We are all watching her. She is acting strange and that usually doesn’t turn out well. After a minute, I start to recognize the image she is drawing—another door.
“Ryanne, don’t finish that drawing.”
“I can’t. You don’t understand. I’m not really drawing this. My hand is doing all the work. I can’t stop it.” She looks toward me while her hand continues to draw the door. “There’s something happening right now, and I’m needed where this door is located.”
“Can you follow me there? Just in case I need help?” she asks Larkin. He nods and walks behind me, waiting for her to finish.
“I don’t like this,” I tell her right as her hand stops moving. She doubles over and grunts in pain. Why does it have to cause her pain? A couple seconds later, she disappears. Larkin grabs the notebook and studies it before transporting out of the room, following Ryanne.
I get up and start pacing, waiting for her to safely come back to me.
*****
I don’t recognize the house I am transported to. It looks familiar, though I’m not sure why. Since it’s dark outside, I can’t effectively assess my surroundings. I slowly walk up to the navy door and knock. Tuning out all the environmental sounds around me, I listen for what is on the opposite side of this door. No one answers, but I think I can hear talking inside the house. I twist the golden doorknob, but it’s locked. The sound of glass shattering filters outside and then someone screams. Larkin blinks in behind me. “It’s locked,” I tell him.
“No problem.” He grabs me and pushes me behind him. Larkin takes a step forward and kicks the door down. It slams into the wall with a loud bang. That’s impressive. I try not to jump at the sudden sound, but I do. Larkin smirks when he sees my reaction. I roll my eyes and look back towards the door.
What I see when we enter the house surprises me. The room is a mess. Broken pieces of glass are all over the ground from the fallen lamps. The couch is overturned and pushed against the wall. I feel my eyes widen when I see the three people in the room. Natasha is asphyxiating Conner and Natalie. She’d attack her own family? Her own twin? Without thinking, I run and tackle Natasha while throwing up a shield around Conner, Natalie, and Larkin. I place a small one around myself. “Larkin, get them out of here!” I yell to him.
“I’m not leaving you here,” he tells me.
“Take them now!” I scream as Natasha shoves me off of her. I do a backward roll and stand up. “Now!” Larkin grabs onto Natalie and transports her out of the room. Conner remains on the ground, coughing, trying to catch his breath. I understand what it feels like as I’ve experienced it a few times myself. Natasha runs for me. She is trying to use her magic on me, but because of my shield, it isn’t working.
I duck her attack and swing around, slamming my body weight into her. Knocking her to the ground again, I try to knock her out, but she throws me off of her. I roll to the side, hitting the edge of a display case. It shakes and sways. I roll out of the way as it starts falling. The case hits the ground with a loud thud and glass from the windows on the doors shatter and fly in all directions. I cover my head to keep from being hit with the fragments.
Glass embeds itself into my forearms and legs. Though my arms are covering my face, I feel a shard knick my cheek. Warm, wet blood starts dripping down the right side of my face. Natasha comes toward me again. I jump back up and swing my leg out, knocking her in the head. She falls to the ground but doesn’t stay there for long.
Larkin blinks back into the room and grabs Conner. He
1796-1874 Agnes Strickland, 1794-1875 Elizabeth Strickland, Rosalie Kaufman