Desperate Measures by David R. Morrell Read Free Book Online Page B

go. The method would eventually lead him to the windows on the. right side of the entrance, but without forcing him to cross the front steps.
    He turned, stayed low, close to the mansion's wan, and shifted past the moisture-beaded shrubs, ignoring the two windows that he'd already checked. He came to a third window, the drapes on this one completely closed. After listening intently and hearing no sounds, he concluded that the room was empty and moved farther along, rounding a corner of the mansion.
    Arc lights caused the drizzle to glisten. The lights were mounted on the side of the mansion and beneath the eaves of the sundeck that topped the multistall garage. Hugging the wall, Pittman crept ten feet along the side of the mansion, then reached the large garage, where it formed a continuation of the building. There weren't any windows, so Pittman didn't linger. Coming to the corner of the garage, he checked around it and saw that all five garage stalls were closed.
    Past the garage, he faced the back of the house. There, fewer arc lights illuminated the grounds. But they were bright enough for Pittman to see a large, covered, drizzle-misted swimming pool, a changing room, fallow flower gardens, more shrubs and trees, and, immediately to his right, stairs that went up to the sundeck on top of the garage. There had been lights beyond the French doors that led the sundeck into an upper-story room, he remembered. Deciding that he'd better inspect this area now rather than back after checking the windows on the ground floor, he started up the wooden steps.
    The sundeck was disturbingly unilluminated. Pittman didn't understand. Crouching in the darkness on top, he wondered why the other parts of the building had outside lights, while the sundeck did not.
    The room beyond the two sets of French doors was well lit, however. Past substantial ornate metal furniture upon which cocktails and lunches would be served when the weather got warm, Pittman saw bright lamps in a wide room that had a cocktail bar along the left wall in addition to a bigscreen television built into the middle of the right wall.
    At the moment, though, the room was being used for something quite different from entertainment. Leather furniture had been shifted toward the television, leaving the center of the room available for a bed with safety railings on each side. A long table beyond it supported electronic instruments that Pittman recognized vividly from the week when Jeremy had been in intensive care: monitors that analyzed heartbeat, blood pressure, respiration rate, and blood-oxygen content.
    Two pumps controlled the speed with which liquid flowed from bottles on an IV stand into the right and left arm of a frail old man who lay covered with sheets on the bed. The two male attendants whom Pittman had seen at the hospital making adjustments to the monitors. The female nurse took care that there weren't any kinks in the oxygen that led to prongs inserted in the old man's nostrils.
    The oxygen mask that had obscured the old man's face when he was taken from the hospital now lay on top of a monitor on the table beyond the bed. Pittman couldn't be totally sure from outside in the darkness, but what he had suspected at the hospital insisted more strongly: The old man bore a resemblance to Jonathan Millgate.
    The intense young man who had been in charge of getting the old man out of the hospital had a stethoscope around his neck and was listening to the old man's chest. The somber men who had acted as bodyguards were standing in the far left corner.
    But other people were in the large room, as well. Pittman hadn't seen them at the hospital, although he definitely had seen them before-in old photographs and in television documentaries about the politics of the Vietnam War. Four men. Distinguished-looking. Dressed in conservative custom-made dark three-piece suits. Old but bearing a resemblance to images of their younger selves.
    Three wore spectacles. One had a white