creepy soul without portfolio. His voice had a fingernails-on-blackboard effect. âA man betrays, he pays for it,â Lorre said.
âBut sometimes he gets assistance paying for it, you see. Thatâs why Iâm here. To help you pay for it.â The knife flicked forward and back, and the shadow crumpled down the side of a brick building.
William had fallen asleep and was lightly snoring. David watched the movie until its closing credits and then turned off the television. He had enjoyed
Background to Danger very
much. Yet with the onset of a headache and newly jangled nervesâDavid suspected the cause may have been seeing Peter Lorre and recalling the surgeonâs analogy in the London hospitalâhe realized that in all likelihood it was to be a night of wretched insomnia. While his inclination was not to try figuring out all the whys and wherefores of his frequent sleepless nights, he long ago learned to recognize their advance notices. The subtle pressure behind the eyes, the prescient slight nausea, his plummeting spirits. With Maggie on their honeymoon, heâd had three sleepless nights at intervals; Maggie had slept soundly. He told her about the problem. On a walk along the cliffs near their hotel, she said, âYou also talk in your sleep, darling.â When he asked what heâd said, Maggie was circumspect, mentioned just a few names. âIt varies, but three or four nights, itâs as if youâre speaking with a Dr. Steenhagen. Does that name ring a bell?â
âJesus, thatâs my pediatrician. From Vancouver.â
âAnd what aboutâDynaflow?â
David started to laugh with incredulousness. âThat was my dadâs car. An American car, a Buick, Dynaflow transmission. I was always begging my mom to let me sleep in the Buick on summer nights.â
âDid she let you?â
âOnce or twice.â
âWell, you must be dreaming of this Dr. Steenhagen and that car, David. Thatâs all I know.â
âDo I keep you awake?â
âI eavesdrop a few minutes, then nod right off. Maybe thatâs selfish, huh? Should I wake you?â
âWhy both not sleep?â
âThey say if you talk talk talk a troubling thing out, you might make all sorts of connections. I suppose thatâs Freud in a nutshell. But you know what I mean.â
David knew the connection between Dr. Steenhagen and the Buick. He regretted not informing Maggie about it then and there. (He thought:
What kind of choice was that, either not sleep or talk in your sleep, on oneâs honeymoon? Did Maggie now think she was in for a lifetime of this?)
After his parentsâ divorce, he started having what Dr. Steenhagen called ânervous stomach.â It kept him awake at night. His mother made an appointment. When asked what she thought might be the source of the problem, she said, âWell, I think one culpritâs Davidâs cursive example.â
Students worked on their âcursive exampleâ every Thursday morning. Blue, wide-lined notebooks were handed front to back down the aisles of standard Canadian school desks, pencils were distributed, and then Davidâs fifth-form teacher, Mrs. Dhomhnaill, would say, âHere is todayâs paragraph. Itâs from
The Pickwick Papers
by Charles Dickens,â or some other famous book. Sheâd read the paragraph with glacial deliberation, allowing the students to take dictation, the entire class transformed into stenographers. âYou have two minutes by the clock to hand in your examples.â
In Mrs. Dhomhnaillâs viewâshe sent home weekly reportsâDavidâs
l
âs looped too widely, his
bâ
s were erratic, his
z
âs shopworn. David admitted that she had an inventive vocabulary when describing flaws in a studentâs handwriting. She didnât regularly single David out in her critiques, though once she flapped his open notebook in midair, saying,