peloton: his mouth and an eyebrow would rise mischievously at one side, he might disappear for a minute or twenty, then reappear balancing a birthday cake in the palm of his right hand and conducting the chorus with his left. ‘
Buon compleanno a te!
Happy birthday to you…’
‘Typical’, says Zandegù today: those three or four bars of ‘
O sole mio!
’ became more famous than the victory they were meant to celebrate. More famous even than him beating Eddy Merckx on the Belgian’s own patch.
It was to be the story of Zandegù’s career. No, of his life. He was a talented cyclist but a better showman. And an utterly brilliant raconteur. These attributes now earn him an annual invitation to the Giro d’Italia from state broadcaster RAI. In their daily, pre-stage eyesore, exhibiting all the naffness that makes Italian television a national embarrassment, Zandegù is the performing seal in a circus commanded by the mustachioed ringmaster Marino Bartoletti. In 45 years, not much has changed; what Zandegù used to do within the bosom of the peloton, he now accomplishes in a makeshift studio in the Giro’s hospitality village. At Bartoletti’s unctuous behest, Dino sings, Dino dances, Dino jokes, Dino laughs.
Above all, Dino tells stories. On air and off it – to him it’s the same. No sooner have the credits rolled than ‘Il Dinosauro’ is shuffling off, his fingers are clasped like five thick salamis around a new listener’s, and he’s away. His tales are breathless, hysterical, crescendoing monologues delivered through a north-east Italian accent as gravelly as the unpaved
sterrato
roads which are often their setting. What’s more, says Zandegù, ‘ninety-five per cent of them are true’. Unless, that is, it’s the afternoon. Then, by Dino’s own admission, ‘the percentage falls to ninety’.
Dino, Dino, tell us about growing up…
‘Well, we didn’t have a lot but at least we weren’t hungry because we owned a bakery. You just about scraped by. The first batch of bread that Dad used to bake at 6.30, we kept to one side just in case the oven broke and we were left with nothing. There were 18 of us in the family: eight brothers, six sisters, Mum, Dad, Gran and Granddad. We all used to get together at four every afternoon to boil up the dry, stale bread, the
pan biscotto
, and put it into a kind of
panzanella
, a bread salad. It was
buonissima
! Better than what my wife makes now! Anyway, when I won races as an amateur, I’d come home, tell my mum and sisters, and my reward would be a cup of
caffè latte
and a corner of bread straight out of the oven. If I didn’t win, my mum pretended that she’d forgotten to cook and there was nothing you could do! Even my sisters were annoyed with me! Then if I got a bit friendly with a girl, they didn’t like that either! They’d tell me that I had to go and explain to her that I had to race my bike and mustn’t have any distractions. Thanks to them, I was practically a virgin at 26!’
Practically? Eh? Never mind…What about that Tour of Flanders in 1967? Beating Merckx, that must have been something…
‘Ah, yes, well my teammate Gimondi and I attacked with Merckx and came across to Barry Hoban, Noel Foré and Willy Monty, who had been in the break earlier on. After the Mur de Grammont climb, I attacked with Foré and Merckx was stuck, because Gimondi wasn’t going to help him. Foré was too tired after his earlier break to pose any threat in the sprint. I won easily. Then Merckx came over like this big, roaring lion, absolutely furious. I didn’t pay him too much attention. The Italian fans were shouting to me to sing, and it just came naturally.
“O sole mio…!”
.’
Dino, Dino, seriously now, should you all have known in 1967? Should you, could you not have seen what was coming?
‘We were all intimidated. We were. This kid just arrived, this big, handsome Belgian kid with high cheekbones – the face of an immense athlete – and pretty