Every Dead Thing by John Connolly Read Free Book Online

plates and have it ready for Pili when he arrived.
    “Last week, Pili comes, collects a car, and drives off. I came in late that night, ’cause I was sick. I got ulcers. Pili was gone before I got there.
    “Anyway, after midnight I’m sittin’ up with Ollie, talkin’ and stuff, waitin’ for Pili to bring back the car, when there’s this bang outside. When we get out there, Pili’s wrapped the car around the gate and he’s lying on the wheel. There’s a dent in the front, too, so we figure maybe Pili was in a smash and didn’t want to wait around after.
    “Pili’s head is cut up bad where he smacked the wind-shield and there’s a lot of blood in the car. Ollie and me push it into the yard and then Ollie calls this doc he knows, and the guy tells him to bring Pili around. Pili ain’t movin’ and he’s real pale, so Ollie drops him off at the doc’s in his own car, and the doc insists on packing him off to the hospital ’cause he thinks Pili’s skull is busted.”
    It was all flowing out of Emo now. Once he began the tale he wanted to finish it, as if he could diminish the burden of knowing by telling it out loud. “Anyway, they argue for a while but the doc knows this private clinic where they won’t ask too many questions, and Ollie agrees. The doc calls the clinic and Ollie comes back to the lot to sort out the car.
    “He has a number for Sonny but there’s no answer. He’s got the car in back but he doesn’t want to leave it there in case, y’know, it’s a cop thing. So he calls the old man and lets him know what happened. So the old man tells him to sit tight, he’ll send a guy around to take care of it.
    “Ollie goes out to move the car out of sight but when he comes back in, he looks worse than Pili. He looks sick and his hands are shakin’. I say to him, ‘What’s wrong?’ but he just tells me to get out and not to tell no one I was there. He won’t say nothin’ else, just tells me to get goin’.
    “Next thing I hear, the cops have raided the place and then Ollie makes bail and disappears. I swear, that’s the last I heard.”
    “Then why the gun?”
    “One of the old man’s guys came by here a day or two back.” He gulped. “Bobby Sciorra. He wanted to know about Ollie, wanted to know if I’d been there the day of Pili’s accident. I said to him, ‘No,’ but it wasn’t enough for him.”
    Emo Ellison started to cry. He lifted up his bandaged fingers and slowly, carefully, began to unwrap one of them.
    “He took me for a ride.” He held up the finger and I could see a ring-shaped mark crowned with a huge blister that seemed to throb even as I looked at it. “The cigarette lighter. He burned me with the car cigarette lighter.”
    Twenty-four hours later, Fat Ollie Watts was dead.

3
    W ALTER C OLE lived in Richmond Hill, the oldest of the Seven Sisters neighborhoods in Queens. Begun in the 1880s, it had a village center and town common and must have seemed like Middle America recreated on Manhattan’s doorstep when Walter’s parents first moved there from Jefferson City shortly before World War II. Walter had kept the house, north of Myrtle Avenue on 113th Street, after his parents retired to Florida. He and Lee ate almost every Friday in Triangle Hofbräu, an old German restaurant on Jamaica Avenue, and walked in the dense woods of Forest Park during the summer.
    I arrived at Walter’s home shortly after nine. He answered the door himself and showed me into what, for a less educated man, would have been called his den, although “den” didn’t do justice to the miniature library he had assembled over half a century of avid reading: biographies of Keats and Saint-Exupéry shared shelf space with works on forensics, sex crimes, and criminal psychology. Fenimore Cooper stood back to back with Borges; Barthelme looked uneasy surrounded by various Hemingways.
    A Macintosh PowerBook sat on a leather-topped desk beside three filing cabinets. Paintings by local artists