glasses and shouted, âBut Iâve changed the whole ending! I told you! Do you want to know what Iâve done? The woman heâs calling doesnât exist. She doesnât exist! Antonâs calling his own number! Calling himself, you see? Isnât that better?â
âYes,â Jonna said.
âOkay. You agree that makes it better. Now he comes back to the table, and Bosse and Kalle can see that something has happened. Iâll read ...â
âWait a second,â Jonna said. âTell me what youâre thinking.â
âIâm killing her,â Mari explained. âThat is to say, Antonâs killing her. So he doesnât have to go on phoning. Bosse and Kalle are upset, of course, and they order more drinks to comfort him ...â
âI donât think you should use more drinks,â Jonna said. âBut thatâs a good idea with the woman. What about doing away with George as well? I mean, itâs just a thought.â
âBut you like him,â Mari said. âYou said he was good.â She stood up and gathered her papers. âThis isnât going to work.â
âYes it will,â Jonna said. âYou just need to rewrite it another way. Shall we have some coffee?â
âNo. I donât think I want any coffee.â
âMari. Weâve got Kalleâs melancholy conclusion that nothing matters. Weâve got George who just goes around in circles and doesnât know itâs hopeless. But then weâve got Anton who dares to kill a lie. Itâs Anton who might be interesting, and you donât care about him at all. Forget George and think about Anton. Why is he behaving this way? Your engineâs idling and you need to add a little fresh insanity, and now Iâm going to make coffee.â
Jonna filled the teakettle in the bathroom. Looking in the mirror, looking at her own face, she thought with sudden bitterness that it couldnât go on like this, these short stories that were never finished and just went on and on getting rewritten and discarded and picked up again, all those words that got changed and changed places and I canât remember how they were yesterday and whatâs happened to them today! Iâm tired! Iâll go in and tell her, now, right now ... For example, I wonder if she could describe me well enough to give people a quick, convincing picture. What could she say? A broad, inhospitable face, lots of wrinkles, brown hair going gray, large nose?
Jonna took in the coffee and said, âTry to describe what I look like.â
âSeriously?â
âYes.â
âJust half a cup,â Mari said. âI think Iâll head home.â After a while, she said, âIâd try to describe a kind of patience. And stubbornness. Somehow bring out the fact that you donât want anything except ... well, except what you want. Wait a moment ... Your hair has an unusual hint of bronze, especially against the light. Your profile and your short neck make one think of, you know, old Roman emperors who thought they were God himself ... Wait. Itâs the way you move and the way you walk. And when you slowly turn your face toward me. Your eyes ...â
âOne of themâs gray and the other oneâs blue,â Jonna said. âAnd now drink your coffee because you need to stay alert. Weâll take the whole thing from the beginning. Read slowly, weâve got time. Concentrate on Anton, always Anton. He has to come alive. You can sacrifice even George if you have to. Read slowly. Kalle says, âMiss, another round.â Real slow. We need to pay attention. Every time it seems wrong, we stop. Every time we get something like an idea, weâll stop. Are you ready? Read.â
TRAVELS WITH A KONICA
J ONNA made movies. Sheâd acquired an 8mm Konica, and she loved the small device and took it with her everywhere they traveled.
âMari,â she said,