Milikin nowhere about, Cylette I think her name was being offered a light, looked at the rug, raised myself an inch or two on the balls of my soles, raised myself an inch or two on my heels, seesawed back and forth a few times like this, sipped some wine, set the glass down without looking away from it, then lifted my head while Phil told Jane how in many ways heâs more honest than she despite anything she might say, but none of it loud enough it seemed for anyone else to hear, and found myself looking at Helene looking at me. Well what do you know I told myselfâhello, hello. She was standing between the food table and bar, about seven feet from the bar and seven from me. A crowd stood behind her, crowded around the bar, and there was an opening between us a foot or so wide and while we looked at one another people moved past it but nobody blocked it. She was being spoken to by a man whose whole body her whole body faced, but her face was turned sideways to me. She held a wineglass with two hands. Only the stem and lip of it showed, so I couldnât tell what color wine she drank. We looked at each other for about ten seconds. Then I turned my head back to Jane and Phil while she was still looking at me. Thatâs when I said to myself Well what do you know, hello hello. I donât know why I turned back to Jane and Phil. The positionâbody facing one way, head the otherâcould have been making me physically uncomfortable, but I donât think that was it. If it was and Iâd corrected it by turning more of my body to her, she might have construed that move as too open and provoking. I suppose I also didnât think it right to look too long at someone looking at me whom I didnât know, though she did to me. Jane said something to Phil about iguanas and sausages. Phil said âWhat do you think about that, Dan?â I said âAbout what?â âDamn lf he wasnât even listening when we figured out the key to his past and present and all his future configurations but swore on our childrenâs heads to say it only once to him and never again. Tough luck, fella.â âHeâs better off,â Jane says, âand youâre an awfully slick liar. Now letâs drop the subject, darling, okay?â âJâagrée, mon queenâto any sing.â She grabs his hand and yanks him closer to kiss him. I turn my head and more of my body this time to this woman. Sheâs facing the man with her body and face, listening to him engrossedly it seems. âWeâll saunter up to him en duo,â Jane says. âIt canât hurt. Speak to you later, Dan, unless you want to join us,â and I say âNo thanks, Iâll save your place,â and turn back to the woman. Sheâs still listening. Heâs using the words âquiddity,â âtendentiousâ and ârhetoricâ in one sentence. If I look at her long and hard enough without looking away I bet she looks at me. Seconds after I think this she turns her head to me. It never worked before. It didnât work now. She just turned to me again, or turned this way, not realizing I was still here, and last time I tried that trick I was probably in high school. We look at each other. She starts to smile, sort of smiles, then smiles because I smile or maybe I smiled because I felt her full smile about to appear and we smile at each other like this and I bob my head once and she blinks her eyes once, more a reflex than a signal Iâd say, and turns to the man who has stopped talking to her and might have been looking at us looking at each other since she turned to me but is now looking at her, and raises her empty glass and he says âNot yet but it could stand some filling up,â and they go to the bar.
Blouse, neck, hair, breasts, forehead, cheek, collar, cuffs, skirt, canât see her shoes. She squeezes through the crowd that came together behind the man who squeezed