Feminism
judgement . . . was a proof that a woman can acquire judgement in the full extent of the word.’ She valued Macaulay, she continued, because she ‘contends for laurels’
    while most women ‘only seek for flowers’.
    Mary Wollstonecraft was born in 1759, to a not very successful would-be middle-class family; her early life is a chilling reminder of how little education was available to girls in that period. Most girls were taught at home – rarely very satisfactorily – either by their mothers, or by poorly trained governesses. In the later part of the Th
    e 18th centur
    century, private schools for middle-class girls flourished, but many simply concentrated on helping their pupils to be graceful and well-mannered, readying them for ‘good’ marriages. Wollstonecraft y
    had briefly attended a day school in Yorkshire, but she was
    : Amaz
    essentially self-educated. At one point a neighbouring clergyman ons of th
    lent her books, and she seems to have studied them rigorously, allowing herself nothing ‘for mere amusement, not even poetry’, but e pen
    ‘concentrating instead on works which are addressed to the understanding’.
    Like so many skimpily educated girls in her day, she found it hard to earn a living. She took a post in Bath as companion to an old lady when she was 19 years old, then came home to nurse her dying mother; later she scraped a living by taking in needlework. With her sisters and her closest friend Fanny Blood, she set up a school in Newington Green, which soon failed (not surprisingly, given their lack of both experience and training), though she at least made some friends among the Dissenting intellectuals who lived in the area. Fanny soon married and accompanied her husband to Portugal; in 1785, when Fanny was about to have a baby, Wollstonecraft went to Lisbon, but was heartbroken when her friend died in childbirth. In 1786, she was briefly employed as 31
    governess (still without any training whatsoever) by the aristocratic Kingsborough family in Ireland; detesting her employers and critical of their lifestyle, she was bitter and miserable. She then came home to nurse her sister, who had broken down after childbirth.
    She was in her early 30s when she was rescued from paralysing depression by Joseph Johnson, the radical publisher, who offered her work on his new Analytical Review . She began regularly reviewing and translating for him; she clearly educated herself by reading and writing. Moreover, the work, and her friendship with the radical intellectuals she met through Johnson, built up her confidence as a writer. He published her first book, Thoughts on the Education of Daughters , in 1787; it is a well-argued plea for girls to be given the chance to develop their God-given intelligence. But it derives real power from an undercurrent of personal feeling, a sharpness and urgency that clearly sprang from Wollstonecraft’s own difficulties in picking up an education as and how she could, as minism
    well as from her contempt for the frivolity of so many fashionable Fe
    women. It was soon followed by Mary, A Fiction , which, for all its sketchiness, remains an interesting account of growing up in a society that offers girls little support and few prospects. (The titles of both her novels, Mary , A Fiction and the late, unfinished Maria; Or the Wrongs of Women , surely hint that the stories are directly rooted in her own experience.) Mary, who is intelligent and full of
    ‘sensibility’, struggles towards fulfilment in a society that offers her few opportunities. Wollstonecraft acknowledges – and begins to explore – some intriguing emotional paradoxes. Her heroine protests bitterly against masculine dominance and violence, but still dreams of protective fatherly love; she both pities her victimized mother and is full of resentment. The older woman is portrayed as indolent, wasting her time reading sentimental novels and dwelling on the love scenes. In the end, after a series of losses,

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