snaked along the garden wall, and aromatic hibiscus, a half-dozen varieties of lily, and everywhere delicate golden lantana, tender clumps of brilliant red and orange, climbing up telephone poles and sprouting miraculously in the sewage-occluded gutters. Rachel wore frangipani in her hair, until told that in Thailand that flower was reserved for mourning. Then for about two weeks in early December, the city was overwhelmed by butterflies taking advantage of the brief interval between the pounding rain of the monsoon and the punishing sun of the hot season to mate and die.
But Josh's vivid description of Martiya, the idea of a murdering anthropologist carefully constructing field notes while in a Thai prison, and the only white woman who could rightfully call herself
topo'uma
— all these lingered with me. On Friday afternoons, I picked Rachel up at school with the motorcycle. School let out at half past two; the last lingering thunderstorms of the monsoon broke at three; and by four the roads were dry enough to drive. We'd head out into the hills. We took the ring road past the fast-food restaurants and the large open lots where vendors sold spirit houses and giant bronze Buddhas; past Carrefour, the mammoth French
hypermarché
; past one mall, then the other. Then, just at the edge of the first rice paddies, we passed the prison where Josh had met Martiya and Martiya had died. Seeing the squat building with the limp, rain-drenched Thai flag inspired in me an indistinct sense of guilt, like the time my grandmother gave me an amaryllis that I forgot to water.
In December, Rachel and I went back to her family's house in Seattle for Christmas. Her whole family was there, all of her sisters, and the twins. Every day it rained, except for the day it hailed, and the sky lay close to the ground like a coffin lid. Rachel's father took me aside to ask, man to man, when I was going to get a real job. Martiya's story gave me an excuse to escape. Just after the New Year, I flew down to California.
Piers van der Leun today can be found on the twelfth floor of Dwinelle Hall of the University of California at Berkeley, where he stands guard in the early mornings, surrounded by the other linguists emeriti who have their photographs on the wall outside of the secretary's office. All the dead linguists gather here in the early mornings to smoke their pipes and drink honeyed tea and babble in all the world's languages. One mentions reciprocal constructions in Bantu, and another replies that a similar grammatical structure is found, oddly enough, in Ojibwe. Their incorporeal forms drift down the hallway and settle in the department lounge, where the former authority on the phonology of the Indo-Turkic languages laments the difficulty of returning to his fieldwork. All the ghosts nod companionably: they know how difficult it is to discipline oneself in the afterlife, now that time is no longer an issue and tenure guaranteed. The recently arrived specialist in computational linguistics spills his coffee, and when the graduate students, caught in their own particular netherworld between life and death, arrive later in the day, they find the dark puddle and wonder who might have made such a mess.
Piers and Martiya van der Leun left Sulawesi in 1954, and Piers spent the remainder of his career at Berkeley. I learned this from Piers's obituary, published in the
Daily Californian
, May 1987. The van der Leuns lived in a Craftsman house on elm-shaded Etna Street. Piers continued his research, returning every other year to Indonesia, but passed most of his days on the twelfth floor of Dwinelle Hall, revising his verb tables and refining his lexicon. The lexicon was published in 1967, and was praised by a reviewer in the
Bulletin of Oriental Linguistics
as a "significant step forward in Australasian linguistics." From his old office, one can see the Bay Bridge and San Francisco; a bay view was a mark of status and distinction within the department.
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