either direction along the corridor but have no clue which way the woman had gone. It was no good trying to reason things, she was as likely to have gone left as right and I was wasting valuable time prevaricating. And so I would choose right, it was always right, and begin to walk, urging my weighted legs to move. And then…and then…I would wake up, sitting on the piano stool in the drawing room, perhaps, or in Meg’s chair in the kitchen, sometimes alone but like as not surrounded by the servants, who would be watching me, making sure I did not have some accident and harm myself, or somehow get outside and drown myself in the lake. When I woke, my first words were always the same: ‘Giles, Giles, I have to save Giles.’ And Mrs Grouse or Johnor Meg or Mary, whoever was there, would always say, ‘It’s all right, Miss Florence, it was only a dream. Master Giles is safe and sound asleep.’
Because I remembered virtually nothing of the walking part of the dream what I knew of my nightwalking came from the observations of other people. Often I liked to nightwalk in the long gallery, a windowed corridor on the second floor that stretched along the central part of the front of the house. John told me how, when he first came to work at Blithe, he had been to the tavern in the village one Saturday night and was returning home up the drive somewhat the worse for wear when he looked up at the house and saw a pale figure, all in white, moving slowly along the long corridor, now visible through one window, then disappearing to reappear a moment later in the next. At the time he knew nothing of my nocturnal habits. ‘I don’t mind telling you, miss,’ he told me many a time, ‘I ain’t no Catholic but I crossed myself there and then. Knowing as I do the reputation Blithe has for ghosts, how it has always attracted and pulled them in, I convinced myself it was some evil spectre I was seeing. I was sure I’d come in and find the whole household murdered in their beds.’
Mrs Grouse told me that I always walked slowly, not as sleepwalkers are usually depicted in books, with their arms outstretched in front of them as if they were blind and feared a collision, but with my arms hanging limply at my sides. My posture was always very erect and I seemed to glide, with none of the jerkiness of normal walking, but smoothly, as if, as she put it, ‘you were on wheels.’
It was true what John said about Blithe and ghosts. Mrs Grouse reckoned it all stuff and nonsense but Meg once told me the local people thought it a place ghouls loved, a favourite haunt, as it were, to which any restless spirit wasattracted like iron filings to a magnet. And now, even though it was only I, Florence, sleepwalking, I seemed somehow to have added to this superstition.
Meg told me that when I woke from my walks it uselessed to speak to me for several minutes, that I seemed not to hear. Often, before I was myself, at the moment when I seemed to have emerged from the dream but had not yet returned to real life, I began to weep and was quite distraught, and if any should try to comfort me I pushed them away and said, ‘No, no, don’t worry yourself about me! It’s Giles who needs help. We must find him, we must!’ Or something like.
After I had nightwalked three or four times and it began to be a pattern, they called in Dr Bradley, the local doctor, who came and gave me a good going-over, shining lights in my eyes and poking about in my ears and listening to my heart and so on. He pronounced me fit and well and told them it was likely the manifestation of some anxiety disorder, which was only natural considering my orphan status and the upheavals of my early life. This was confirmed, he said, by my fears focusing upon Giles, who was, after all, the only consistent presence in my life. I read all this in a report I found on Mrs Grouse’s desk one day, when she had gone into town on some errand. I curioused over the words ‘upheavals of my early