sacrificed five million American lives to pave the way for total war, total annihilation.
But Julian wondered about the nature of the proof, that they could be "close" to it and not be able to say anything specific. He didn't rule out the possibility that there were people on his own side insane enough to blow up one of their own cities. But he did wonder how such a thing could be kept secret for long. A lot of people would have to be involved.
Of course that could be dealt with. People who would murder five million strangers could sacrifice a few dozen friends, a few hundred coconspirators.
And so it went around and around, as it had in everybody's thoughts in the months since Atlanta, Sao Paulo, and Mandelaville. Would some actual proof emerge? Would another city be snuffed out tomorrow; and then another one, in retaliation?
It was a good time for those who owned rural real estate. People who could move were finding country life appealing.
THE FIRST FEW DAYS I'm back are usually nice and intense. The homecoming mood energizes our love life, and all the time I'm not with her I'm deeply immersed in the Jupiter Project, catching up. But a lot depends on the day of the week I come back, because Friday is always a singularity. Friday is the night of the Saturday Night Special.
That's the name of a restaurant up in the Hidalgo part of town, more expensive than I would normally patronize, and more pretentious: the theme of the place is the romanticized California Gang Era—grease, graffiti, and grime, safely distant from the table linen. As far as I'm concerned, those people were no different from today's whackers and slicers — if anything, worse, since they didn't have to worry about the federal death penalty for using guns. The waiters come around in leather jackets and meticulously grease-stained T-shirts, black jeans, and high boots. They say the wine list is the best in Houston.
I'm the youngest of the Saturday Night Special crowd by at least ten years; the only one who's not a full-time intellectual. I'm "Blaze's boy"; I don't know which of them knew or suspected I literally was her boy. I came as her friend and coworker, and everybody seemed to accept that.
My primary value to the group was the novelty of being a mechanic. That was doubly interesting to them, because a senior member of the group, Marty Larrin, was one of the designers of the cyberlink that made jacking, and thus soldierboys, possible.
Marty had been responsible for designing the system's security. Once a jack was installed, it was failsafed at a molecular level, literally impossible to modify, even for the original manufacturers; even for researchers like Marty. The nanocircuitry inside would scramble itself within a fraction of a second if any part of the complex device was tampered with. Then it would take another round of invasive surgery, with a one-in-ten chance of death or uselessness, to take the scrambled jack out and install a new one.
Marty was about sixty, the front half of his head shaved bald in a generation-old style, the rest of his white hair long except for the shaved circle around his jack. He was conventionally handsome, still; regular leading-man features, and it was obvious from the way he treated Amelia that they had a past. I once asked her how long ago that had been, the only such question I've ever asked her. She thought for a moment and said, "I guess you were out of grade school."
The population of the Saturday Night Special crowd varies from week to week. Marty is almost always there, along with his traditional antagonist, Franklin Asher, a mathematician with a chair in the philosophy department. Their jocular sniping goes back to when they were graduate students together; Amelia's known him nearly as long as Marty.
Belda Magyar is usually there, an odd duck but obviously one of the inner circle. She sits and listens with a stern, disapproving look, nursing a single glass of wine. Once or twice a night she makes