from an innately heightened sensibility, are predisposed to emotional play.â
âSo you deny that you win by cheating?â
He flushed. ââTis such an unpalatable word, cheating , associated with swindlers, cutthroats, and highwaymen. By my troth, my lady, I have never marked a card or rolled weighted dice. These are the trademarks of a cheat .
âI would merely say that I play with enhanced skill. I do not seek out victims to dupe, nor do I play intentionally to ruin any man. If, however, one wagers foolishly and has not the sense to know when to leave the tables, he deserves what he gets.â
âAre you not still a sharp, Philip?â
He paused to consider. âNo. I do not say so. Not in the truest sense of the word. Besides, the term hardly encompasses the entire world of gamesters.â
âYou speak almost as if it were a society in itself.â
âIt is precisely that. Simply put, there are many types of players, varying degrees of Athenians, Captain Sharps, Amazons, blacklegs, tricksters, bamboozlers, and outright swindlers, inhabiting both the upper and the lower classes of society.â
âFascinating. I have heard of the Greeks, but I donât understand why the brethren of our much-venerated Aristotle are so vilified.â
âAh,â Philip answered, ââtis a story that goes back to the days of Louis XIV, when a certain chevalier named Apoulos, a man of Greek origin, was admitted into the court. He was astonishingly adept at play and won a veritable fortune from the princes of the blood before his true methods were revealed.â
âWhat happened to him?â
âThe king was much displeased and sentenced him to twenty years in the galleys, where he slaved until his eventual death. A true Greek tragedy,â he quipped.
âThus all players of his stamp are called Greeks?â
âNay, only the select few. It is the name reserved for only those who play with great mastery. The Greek of the ton is by far the subtlest, most adroit, and the cleverest of creatures. He is accustomed to the best of company, and his deportment and manners are all that can be desired. Either he dazzles with his wit and brilliant conversation or he is one with the loftiest reserve, who in truth applies his mind wholly to his game. Even whilst engrossed in his cards, all the while he appreciates what goes on around him with veiled and furtive glances.
âHe unites his profound knowledge with the most challenging conjuring featsâthe partial shuffle, the false cut, the shift-pass, mucking, palming, pegging, and culling. No one surpasses his skill in drawing the ace, or breaking the cut, concealing cards or placing them. He raises the practice to an art.â
By now, Lady Messingham hung in rapt attention upon his every word.
âHe is a master who lives for naught but the game, playing each one with unparalleled skill and equal perfection, concealing himself as the most suave and venerable of courtiers, and playing only for othersâ ultimate destruction. Attempts to hide emotion from him are in vain. He discerns the least movement or contraction of the features, peering with uncanny ability into his adversaryâs very soulâ¦â Philip ended with a pregnant pause.
âLackaday!â she exclaimed, wide-eyed. âIt sounds as if you describe Beelzebub himself!â
âHe is not far removed!â Philip laughed. âTrue vice, my lady, would frighten us all if it did not wear the mask of virtue.â
âBut how to recognize him?â
âAs he wears a perfect disguise, one does not, unless one is equal in his own talents.â
âThen it is impossible to evade a fate as his victim?â
âNot at all. One can easily do so by avoiding deep play. He is a master who only delights in high stakes. Steer clear of his table, and youâll never fall victim.â
âSage advice, indeed. But I must now ask