question we seem no closer to answering,â Scarpetta says as she and Benton walk through the balmy night, their shadows moving over old stone. âSheâs by herself and intoxicated, perhaps lost on some deserted side street, and he sees her? And what? Offers to show her the way and leads her where he can gain complete control of her? Perhaps where he lives? Or to his car? If so, he must speak at least a little English. How could no one have seen her? Not one person.â
Benton says nothing, their shoes scuffing on the sidewalk, the street noisy with people emerging from restaurants and bars, very loud, with motor scooters and cars that come close to running them over.
âDrew didnât speak Italian, scarcely a word of it, so weâre told,â Scarpetta adds.
The stars are out, the moon soft on Casina Rossa, the stucco house where Keats died of tuberculosis at age twenty-five.
âOr he stalked her,â she goes on. âOr perhaps he was acquainted with her. We donât know and probably never will unless he does it again and is caught. Are you going to talk to me, Benton? Or shall I continue my rather fragmented, redundant monologue?â
âI donât know what the hellâs going on between the two of you, unless this is your way of punishing me,â he says.
âWith who?â
âThat goddamn captain. Who the hell else?â
âThe answer to the first part is nothingâs going on, and youâre being ridiculous to think otherwise, but weâll get back to that. Iâm more interested in the punishment part of your statement. Since I have no history of punishing you or anyone.â
They begin climbing the Spanish Steps, an exertion made harder by hurt feelings and too much wine. Lovers are entwined, and rowdy youths are laughing and boisterous and pay them no mind. Far away, what seems a mile high, the Hotel Hassler is lit up and huge, rising over the city like a palace.
âOne thing not in my character,â she resumes. âPunishing people. Protect myself and others, but not punish. Never people I care about. Most of allââout of breathââI would never punish you.â
âIf you intend to see other people, if youâre interested in other men, I canât say I blame you. But tell me. Thatâs all I ask. Donât put on displays like you did all day. And tonight. Donât play fucking high school games with me.â
âDisplays? Games?â
âHe was all over you,â Benton says.
âAnd I was all over everywhere else trying to move away from him.â
âHeâs been all over you for all day long. Canât get close enough to you. Stares at you, touches you right in front of me.â
âBentonâ¦â
âAnd I know heâs this good-looking, well, maybe youâre attracted to him. But I wonât tolerate it. Right in front of me. Goddamn it.â
âBentonâ¦â
âSame with God knows who. Down there in the Deep South. What do I know?â
âBenton!â
Silence.
âYouâre talking crazy. Since when, in the history of the universe, have you ever worried about my cheating on you? Knowingly.â
No sound but their footsteps on stone, their labored breathing.
âKnowingly,â she repeats, âbecause the one time I was with someone else was when I thought you wereâ¦â
âDead,â he says. âRight. So youâre told Iâm dead. Then a minute later youâre fucking some guy young enough to be your son.â
âDonât.â Anger begins to gather. âDonât you dare.â
He is quiet. Even after the bottle of wine he drank all by himself, he knows better than to push the subject of his feigned death when he was forced into a protected witness program. What Benton put her though. He knows better than to attack her as if sheâs the one who was emotionally cruel.
âSorry,â he