wreck the sword? It was made to slice people, not plants.â
Roan shrugs. âIt will need a good cleaning and sharpening every night, but itâs a strong blade, itâll survive.â
After two daysâ walk, their dour expectations of the swamp have been wildly inverted. The marsh is anything but a nightmare of mosquitoes and festering water. Biting insects are mercifully few and the trees, though sparse, are festooned with bright flowers in full bloom. Golden butterflies flutter around them, fluorescent dragonflies dart through the ferns, tiny violet waterlilies float free on the waterâs surface, and thereâs enough solid high ground for them to walk at a brisk pace. In the waning light, they make camp on a rise near the water. The trees here are completely unfamiliar, with thick, curling branches and leaves that close up when touched.
âWell, that dragonweed was so effective all the biting bugs fled the swamp.â
âIn this case Iâm thrilled to be wrong.â
âSo when does this odor wear off?â
âNext bath.â
Roan groans.
In the evening mist, a warm fire of dry fern crackles. The aroma of cooking catfish, yanked from the water with bare hands alone, has Roan and Lumpy transfixed. Their crickets perch on their shoulders, still, not a feeler moving.
Across the fire from Roan the mysterious boy slowly takes shape.
âY OUâRE COMING. â
âY ES. â
âN OT ALONE ?â
âIâ M WITH A FRIEND. I S THAT A PROBLEM ?â
âI S HE A W ALKER TOO ?â
âN O. A RE WE VERY FAR ?â
âW HAT IS FAR ?â
Then the boy is gone. Roan looks up. Lumpy pokes at the fire, completely absorbed in his activity, unaware of Roanâs experience.
âI saw the boy.â
âA boy? What did he tell you?â
âHe doesnât seem to mind that I brought you along.â
âWell, thatâs a relief,â says Lumpy. âIâd hate to think I wasnât wanted.â
âItâs a good sign. Weâre going in the right direction.â
âWell, believe it or not, Iâm having a great time and,â he grins as he shifts their fish out of the fire, âitâs about to get even better.â
PREPARATION FOR THE UNKNOWN
THE ARCHBISHOP CONSTRUCTS, IN CELEBRATION OF OUR ASCENDANCE, A MONUMENTAL STRUCTURE TO EQUAL THE LOST GREAT PYRAMID OF GIZA. IN ORDER TO REFLECT THE VITALITY THE ELDEST BRINGS TO US DAILY, HIS GREAT PYRAMID WILL BE OF GLASS AND BEAR HIS HOLY LIGHT.
âPROCLAMATION OF MASTER QUERIN
âM ORE SPEED THIS TIME. Go!â Willum shouts. Stowe runs full-out toward the half-wall, leaps onto the springboard and vaults up, her hands reaching for the top of the wall. Swinging her legs high, for an instant she hangs upside-down in the air, and feels in that moment as if she could rest there, suspended. Then she flips over, landing on her feet on the other side.
Willum stands by the parallel bars, taking note of every miniscule element of her technique. âOnce again.â
âThat was my seventeenth vault today.â
âMake it eighteen. And this time, name the six Constructions of Darius.â
Taking her position, Stowe says: âThe Ramparts.â She runs to the half-wall: âThe Whorl!â Vaulting up, she shouts: âThe Spiracal!â Twists in the air, yelling: âThe Antlia!â And lands perfectly on the other side of the wall. âThe Gyre and Ocellus. That makes six,â she smiles. But her triumph is soured by Willumâs expression. âWhat was wrong with that?â
âYour heels were released too quickly off the board. Again.â
Stowe thumps onto the polished oak floor of the small gymnasium. âIâve done enough.â
Willum, a rope in his hand, strides over. âFine. Then youâll work on stamina.â
Heâs tense, his face is drawn. Has news of the incident with the clerics reached