I’ll find out soon enough.
My thoughts momentarily shift to the shooter. Finding sex offenders is a snap – thanks to Megan’s Law, anyone can log onto the Internet and access the National Sex Offender Registry and get their names and addresses. But if this is some sort of warped vigilante group, why kill cops? Did the sniper simply get carried away? Or is he really out of his mind? And are his two partners just as unbalanced?
I turn left down my twisty road, heading home. I hear the dead leaves crackling under my tires, see glimpses of the moon through the canopy of trees, and wonder what Mom loves about this neighborhood so much. Can it even be called a neighborhood? We’ve never met our nearest neighbor, who lives a quarter of a mile away. Come Halloween, I wonder if parents drive their children house to house for trick-or-treating. If I had kids, I’d drive them – to the city.
Thinking of children makes me think of Latham, and I get sort of gooey inside. I pull into the driveway and park next to his car, convinced that this
emergency
probably has to do with Mom fudging points in their card game, or burning the apple pie. I do a quick mirror check, finger comb my hair, and hop out of my Nova.
The front door is locked, and the front room is dark. I notice a light in the kitchen through the bay window. I unlock the door and go in.
“Mom? Latham?”
I smell food. Stew, and some sort of baked goods. Maybe I’m right about the pie after all.
Mom is in the kitchen, sitting at the table. It takes me a second to realize she has duct tape over her mouth and around her arms, and then something appears in my peripheral vision, something blindingly fast.
I duck, but not quickly enough, and get knocked to the floor, my vision all lopsided and swirly.
“Welcome home, Jack.”
I can’t focus, but I recognize the voice.
Alex is alive.
And that means we’re all going to die.
8:02 P.M.
KORK
J ACK’S MOMENT of realization is priceless. It’s an expression of fear and helplessness, and it’s so raw and honest that I feel like a peep-show voyeur watching it.
I want to hit her again, to turn her fear into pain. But there isn’t any need to rush. Better to play it safe, make sure she’s restrained first.
“Handcuffs,” I say.
Jack doesn’t answer. I don’t think she’s trying to defy me. I think she’s so scared she can’t even speak. I give her a kick in the ribs to help with her articulation.
“Handcuffs,” I repeat. “You’ll have plenty of time to be scared speechless later.”
“Purse,” she says.
I follow her eyes, see an ugly clutch on the floor. I keep the gun on her and walk over to it. There are handcuffs inside, but no gun.
“Where’s that little toy Colt you carry around?”
“Internal Affairs. Had a shooting to night.”
I wonder if she’s lying, then notice that she has blood on her skirt, her shirt. Looks like Jack has had a busy night.
It’s about to get busier.
“Cuff your hands behind you,” I say, tossing her the bracelets.
She complies, sneaks a look at Mom. I wait for Jack to say something like “Let her go, this is between us” or “If you touch her, I swear I’ll kill you” or something equally meaningless. She surprises me by saying nothing. Perhaps she knows it won’t do any good. Or perhaps she’s saving her energy because she knows she’ll need it later. For screaming.
I allow them their mommy/daughter moment, then wrap my hand in Jack’s hair and jerk her to her feet. It doesn’t take much effort. At Heathrow, I was able to catch up on two things – soap operas and exercise. The last time I’d encountered Jack, I’d been soft.
There isn’t anything soft about me now.
I check to make sure Jack’s hands are cuffed, then shove the revolver into the back of my pants. I’m still holding her hair, and I bring her face close to mine, letting her see the scars up close.
“See what you did to me? For a while, I wished you’d killed me. I
Kevin J. Anderson, Rebecca Moesta, June Scobee Rodgers