Garden of Stones

Garden of Stones by Sophie Littlefield Read Free Book Online

Book: Garden of Stones by Sophie Littlefield Read Free Book Online
Authors: Sophie Littlefield
Tags: General Fiction
was the most—perhaps the only—special thing about her.
    Lucy had always known that her mother was beautiful. Miyako Takeda’s beauty was so remarkable that it was not considered improper to comment on it. “Your mother should be movie star,” the fish man said as he wrapped their mackerel in paper. “Star in movie with James Cagney.”
    But it was only after Lucy started seventh grade last year that she had realized what should have been obvious: she looked exactly like her mother. Maybe her childish features had hidden the resemblance for a while, but when Lucy walked down the street with her mother now, she knew that the double takes and catcalls were meant for both of them. Her mother would not allow her to roll her hair or wear lipstick, but the resemblance could no longer be disguised.
    Lucy knew that she still had some maturing to do before her transformation was complete. Where her mother’s lips were sensually full, her own were still the bow shape of a child’s. Her mother’s eyes narrowed and tilted, elongated at the outer corners in a manner that suggested mischief, while Lucy’s retained the wide-open look of youth. Miyako’s fine cheekbones sculpted the planes of her face exquisitely: Lucy’s had yet to become pronounced.
    But there was no hint of her father in her face. Despite his success, his breeding—his father’s father had been an important man in Japan, a respected merchant with several homes—Renjiro’s appearance had been coarse, his skin pocked underneath his beard, his nose flat and his brow jutting. Lucy was proud to be his daughter, to be a Takeda. But she was very pleased that she resembled her mother.
    Lucy knew little about the years between her mother’s birth and her arrival, at the age of seventeen, at Renjiro Takeda’s factory, where she applied for a job packing apricots into crates. She knew that Miyako was the daughter of farm laborers, and that her mother had died giving birth. Miyako had managed to stay in school until the tenth grade, had learned to sew and embroider and had earned money with her needlework. Something had happened when she was fourteen or fifteen—something terrible, something that had acted as a turning point in Miyako’s life. She had left her father behind and gone to the city, where it had taken several more years—and these she never spoke of, so Lucy did not know how her mother had supported herself or where she’d lived—before she found herself in Renjiro Takeda’s factory looking for work. Her father had loved to tell stories of how unsuited Miyako was to the noisy, backbreaking work on the line, how he promoted her to a position in the office after a week because he could not bear to see her distress. And then he had married her only a few months later.
    Lucy sensed that life had punished her mother for her will to survive, that she had been tested and marked repeatedly, the scars cutting deeper each time they were opened. Lucy, and to some pale extent her father, were her respite and, on the very best days, her fleeting joy. But they were not her central truth. The core of her mother was fraught and dread-drenched, and Lucy feared that the loss of her father and the threat of upheaval were beginning to erode the fragile peace Miyako had molded from the ashes of her early years.
    Lucy finished shelling the walnuts. The nutmeats filled the small bowl her mother had given her, the shells rustling in the tin. Lucy took a handful of shells and squeezed, harder and harder until their sharp edges cut cruelly into her palm, before flinging them onto the remains of the backyard fire, which winter rains had reduced to a lumpy, blackened scar on the sidewalk. For a moment Lucy thought she might throw the rest, the bits she’d worked so hard to pry from their shells, the delicate bowl, part of a matched set. Let them be lost, broken, ruined—what did it matter?
    But inside the house was her mother, and no matter how fragile the strands that

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