Gate of the Sun by Elias Khoury Read Free Book Online Page B

how old my children and grandchildren were when I was forty. There’s no such thing as being old these days, for two reasons. The first is the invention of glasses, so weak eyesight is no longer an issue, and the second is dentistry, so people don’t have to have all their teeth out by the time they’re seventy or eighty. Here I am today, with all my own teeth and glasses that let me read, so how can you call me an old man? Old age is an illusion. People get old from the inside, not the outside. So long as there’s passion in your heart, it means you’re not an old man.”
    On that occasion I meant to ask when you’d last seen her, but I felt shy.I stood up and started looking at the pictures on the wall. Seven sons, three daughters, and fifteen grandchildren, and in the middle the photo of Ibrahim, who’d died as a baby. Twenty-five people, the first fruits of the adventure you forged.
    You told me about Ghassan Kanafani. *
    You told me he came to you with a letter of introduction from Dr. George Habash asking you to tell him your story. He would write it down. It was you who trained George Habash and Wadi’ Haddad and Hani al-Hendi and everyone else in the first cadre. Why didn’t you tell me what that first experiment was like? And also why you joined Fatah? Was it because of Abu Ali Iyad, as you told me, or because you were against plane hijackings? Or because you liked change?
    Ghassan Kanafani came, you told him your story, he took notes, and then he didn’t do anything. He didn’t write your story.
    Why didn’t he write it? Did you really tell him your story? You never used to tell anyone your story because everyone knew it, so why bother?
    Writers are strange. They don’t know that people don’t tell real stories because they’re already known. Kanafani was different though. You told me you liked him and tried to tell him everything. But he didn’t write anything. Do you know why?
    It was the mid-fifties when he came to see you, and your story hadn’t yet become a story. Hundreds of people were slipping across from Lebanon to Galilee. Some of them came back and some of them were killed by the bullets of the border guards. That, maybe, is why Kanafani didn’t follow up on the story – because he was looking for mythic stories, and yours was just the story of a man in love. Where would be the symbolism in this love that had no place to root itself? How did you expect he would believe the story of your love for your wife? Is a man’s love for his wife really worth writing about?
    However, you became a legend without realizing it, and I want to assureyou that if Kanafani hadn’t been assassinated in Beirut by the Israelis in ’72, if the car bomb hadn’t ripped his body to shreds, he’d be sitting with you now in this room, trying to piece your story together.
    Times have changed.
    Then, you would have to have died in this cold bed to become a story. I know that you’re laughing at me, and I agree – the important thing is not the story but the life. But what are we supposed to do when life tries to force us out? The important thing is life, and that’s what I’m trying to get at with you. Why can’t you understand? Why don’t you get up now, shake death from your body, and leave the hospital?
    You don’t love the moon, and you don’t love the blind singer, and you can’t get up.
    But moonlight is true light. What is this solar culture that’s killing us? Only moonlight deserves to be called light. You told me about moonstroke. You said that in your village people feared it more than sunstroke, and you’d seek cover in the shade from the moon, not the sun.
    The fact is, master, your theories on aging are faulty: It’s not teeth and eyes, it’s smell. Aging is that implacable death that paralyzes body and soul, and it always comes as a surprise. Of course, I agree that in