– but the very first time when, nervous as a schoolboy, I came to report to him, he repeated my name to himself thoughtfully a couple of times and then – though he had been expecting me, of course, and knew allabout me, having been thoroughly briefed, as they say, by the authorities – he asked gently, with that fastidiousness and sense of tact which I have come so much to admire in him, if I would please spell it for him. When I had done so, and he had carefully written it into his book, we observed a brief silence, with eyes downcast, in acknowledgment I suppose of the solemnity of the occasion. ‘Ah yes,’ he said then with a sigh, ‘yes: life means life, right enough.’ This is something that has been dinned into me over the years, yet coming from him, and the way that he put it, it had a certain weight, a certain grandeur, even, and for a moment I saw myself as a person of consequence; a serious person, deeply flawed and irremediably damaged, it is true, but someone, all the same: definitely someone.
I need these people, the Sergeant, and Mr Tighe the shopman in the village, even Miss Broaders, she of the pink twinsets and tight mouth, who presides over the post office. I needed them especially in the early days. They had substance, which was precisely what I seemed to lack. I held on to them as if they were a handle by which I might hold on to things, to solid, simple (yes, simple!) things, and to myself among them. For I felt like something suspended in empty air, weightless, transparent, turning this way or that in every buffet of wind that blew. At least when I was locked away I had felt I was definitively there, but now that I was free (or at large, at any rate) I seemed hardly to be here at all. This is how I imagine ghosts existing, poor, pale wraiths pegged out to shiver in the wind of the world like so much insubstantial laundry, yearning towards us, the heedless ones, as we walk blithely through them.
Time. Time on my hands. That is a strange phrase. From those first weeks on the island I recall especially the afternoons, slow, silent, oddly mysterious stretches of somethingthat seemed more than clock time, a thicker-textured stuff, a sort of sea-drift, tidal, surreptitious, deeper than the world. Look at this box-kite of sunlight sailing imperceptibly across the floor, listen to the scrape of the curtain as it stirs in the breeze, see that dazed green view framed in the white window, the far, narrow line of the beach and beyond that the azure sea, unreal, vivid as memory. This is a different way of being alive. I thought sometimes at moments such as this that I might simply drift away and become a part of all that out there, drift and dissolve, be a shimmer of light slowly fading into nothing. It was coming into the season of white nights, I found it hard to sleep. Extraordinary the look of things at dusk then, it might have been another planet, with that pale vault of sky, those crouched and hesitant, dreamy distances. I wandered about the house, going softly through the stillness and shadows, and sometimes I would lose myself, I mean I would flow out of myself somehow and be as a phantom, a patch of moving dark against the lighter darkness all around me. The night seemed something on the point of being spoken. This sense of immanence, of things biding their time, waiting to occur, was it all just imagination and wishful thinking? Night-time always seems peopled to me; they throng about me, the dead ones, yearning to speak.
The house has a nautical feel to it. Sea breezes make the timbers shift and groan, and the blue, salt-laden light in the windows is positively oceanic. The air reeks of brine and the floors when the sun comes in give off a tang of pitch. Then there is that faint smell of rancid apples everywhere: I might be Jim Hawkins, off on a grand venture. When I came down at last on that morning of their arrival the kitchen was like a ship’s cabin. I felt at first a certain sullen
Matt Christopher, Stephanie Peters