forms on her upper lip.
âSo, look, we may not like each other,â I begin in my calmest voice.
âAgreed,â she mumbles.
âAnd thatâs cool, whatever, we can deal with that at another time,â I say, trying not to freak her out, âbut we might want to get back to the lodge.â
Sheâs silent and then mutters, âRight.â
âSo . . . which direction do we head to get to the nearest trail back to Homeroom Earth?â
She pauses, blinks hard, and then sort of looks at me, not at my eyes but maybe at, like, my chin. âI . . . donât know.â
âWell, what does it say on the map?â
âI donât know.â
âAre we traveling toward the campsite or not?â
âI donât know ,â she snaps, and finally her eyes look into mine, and theyâre all big and wet and scared. âIf the map and compass are correct, we shouldâve hit the path forty minutes ago. Weâve been doing everything right according to my calculations; itâs just that somethingâs . . . different.â She hands me the map and uses the free hand to pinch the bridge of her nose, and mumbles, âThink, Kendra, think, where are we, where are we?â
Uh-oh. So, the one person in your group who can outthink gravity doesnât know where we are, and now sheâs being a head case, too. This isnât the end of the world, people. Maybe the map is wrong, or her compass is on the fritz, or maybe weâre in a part of these mountains that hasnât been charted yet.
âOkay,â I say. âWell, maybe . . . one of us should break off, see if we can find some help and alert the authorities. Or at least get to a phone.â
âThat would be ill-advised,â she says. âBy the time one of us found a phone, the other two could be a long way away.â She pinches her nose so hard, it looks painful. âDo you know any tracking skills or anything like that? Like a hunter?â
âWhy would I have tracking skills?â
âBecause youâre veryââshe waves her hands aroundâ â outdoorsy. â
âYouâre Queen Brain. Shouldnât you know how to find our way home?â
âWhy do you keep calling me that?â she asks, annoyed.
PJ and I have called you that for years , I think but donât say. âBecause . . . it doesnât matter. We need to do something,â I say, because I canât think of anything .
âLetâs go talk to PJ,â she says. âMaybe the three of us can come up with a plan.â
âRight. Just take it easy with him, okay? I donât want him to have a panic attack.â
âUnderstood,â she says, taking the map back from me. âHow do I look?â
âUh, fine? I donât know, smart?â
âGood.â She closes her eyes and takes a deep breath. âLetâs do this.â
Kendra and I turn slowly back to the creek, where PJ sits hunched over with his feet in the water, his hands up in two L shapes to create a frame in front of him, mapping a shot (he does that a lot at homeâitâs a little embarrassing). Finally, Kendra says, âWe need to talk to you about something.â
âThereâs a wall up there,â says PJ. âLook. Upper left-hand corner, between those trees.â We both crouch down next to PJ so we can see through his frame, and heâs rightâstretching across a little clearing in the foothills is a gray stone wall.
âIndeed,â says Kendra.
Then, it hits me. âBut a wall means people, right? We should check it out!â
âMaybe we shouldnât,â says PJ, dropping his hand frame and looking down at his feet in the water. âWhat if weâre trespassing on someoneâs property? This has chainsaw massacre written all over it.â
âThat person might have a phone,â says Kendra, standing up. She carefully hops over the