smash him to bits for a few moments.
Mona exits the club. The doors open on to a large parking lot. She scans the area. Michael squats on the ground, back against the wall, smoking a cigarette. He has been crying. His make-up is smeared. He plays his guitar between sobs. Mona approaches slowly. Michael looks up, tears streaking down his face. Mona sits next to him and takes his face in her hands. He stops playing.
âThis is bullshit.â
âThe same stuff from before?â Mona asks. Michael nodded. âWho was that guy?â
âHeâs got a TV show.â
Monaâs eyes grow wide. âYeah! That talk guy. This could be great for the bandâ¦â
âNo!â Michael cuts her off, loud and emphatic. Mona stares at him, startled.
âWhat the fuck, Michael?â
âThereâs some things you need to knowâ¦about me.â
âIt canât be that bad.â
Michael stubs out whatâs left of his cigarette on the pavement and lights another one. âYou ever hear of Orzo the Clown?â
Mona nods. âYeah. That freak on the TV that killed and molested kids? Damn, that happened forever ago. What does that have to do with you?â
Michael takes a drag and looks at Mona, eye to eye. He readies himself. He has never, ever, told anyone about this before.
âOnly one kid survived him,â he says. Simple.
Mona continues to stare at Michael, confused. Until it dawns on her, that is. She raises her hand to her mouth.
âOh my Godâ¦â
Michael stubs out the cigarette and turns away from her. He canât bear for anyone to see him. Ignoring his non-verbal cue, Mona hugs Michael. He has no reaction at first, but this is genuine. It is warm and it communicates a great deal. Michael didnât expect this. He thinks that she will turn and run as fast as possible in the opposite direction. His parents did. Not physically, of course, but they left him alone because they were so unsure of what they had on their hands. He always resented them for that, even if he canât admit it, and expects every reaction to the truth of his past to be the same. He is happy to hold Mona, happy she doesnât leave. Mona rests her head on his shoulder.
âWhat do you want to do?â she asks.
âI left a long time ago and then, after my parents died, Iâ¦I just stayed. I didnât have any moneyâ¦â
Michael separates from Mona and stands up. His sadness galvanizes into anger. He points toward the club.
âItâs shit like that, yâknow? All I ever wanted to do is play musicâ¦my music, okay? It stops hurting then! But assholes like that wonât let it die! I donât even know how they found me. I changed my name for the band, I wear make-up for Christâs sake!â
Mona stands as well. She grabs Michaelâs chin and forces him to look into her eyes.
âYou say the word and we drop this, start someplace else.â
Michael is taken aback. He certainly didnât expected this.
âWe?â
âWe.â
Michael takes a deep breath. âItâs gonna get bad.â
âMaybe not. Letâs stick it out. We get a distribution deal off of Monster Fest, everything works. If we donât, we leaveâ¦simple. The Fest is a good shot, weâre the best here and everyone knows it.â
Michael stares off into the night sky. He takes a deep breath. Mona wraps her arms around his shoulders.
âStop trying to forgetâ¦youâve got back up now,â she whispers into his ear. He turns then and they embrace.
âWe get a deal, we cut an album and itâs not about Oâ¦Oâ¦Orzo anymore.â
âItâs about Michael Bain,â she says, âand possibly Mona Bainâ¦who knows?â
Michael squeezes Mona tighter. Tears flow down his face, smearing the paint and causing it to run in long black streaks down his cheeks.
âAnd Michael Talbot finally dies in that