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Halo (Game)
entities.'
'They aren't,' replied the priest."
Masahiro Mori, The Buddha in the Robot
6. Halo City, Aleph
Orbiting a quarter of a million miles from both Earth and
Moon, Halo City crosses the void, a mile-wide silver ring ready to
be slipped on a stupendous finger. Six spokes mark Halo's
segments. Elevators climb them across forty stories of artificial
sky, up to the city's weightless hub and down to its final layer,
just inside the outer skin, where spin-gravity approaches Earth
normal. There many of Halo's deepest transactions occur: air and
water and all organic things travel and transform, to be used
again. Above the city floats a mirror where it is reflected: a
simulacrum or weightless double, a Platonic idea of the city.
From the mirror, sunlight works its way through a hatchwork of
louvers and into Halo, where it sustains life.
Aleph presides here: Aleph the Generalator, the Ordinator,
the Universal Machine. Aleph is beautiful as night is beautiful,
as a sonnet, a fugue, or Maxwell's equations are beautiful. It is
not night, a sonnet, a fugue, or an equation. What Aleph is, that
remains to be explored. One certain thing: within the human
universe, it is a new object, a new intention, a new possibility.
Aleph's brains lie buried in the city's hull, beneath crushed
lunar rock, where robots dug and planted, then had their memories
of the task erased. Nested spheres and sprouting cables fill a
black six-meter cube. Inside the cube, billions of lights play,
dancing the dance that is at the core of Aleph's being; from the
cube, fiberoptic trunks as thick as a human body lead away, neural
columns connecting Aleph to its greater body, its subtle body,
Halo.
Earth's spring comes once a year as the planet journeys
around the sun, but here spring comes when Aleph wills, and is now
in progress. Valley walls thick-planted with green shrub climb
steeply up from the valley floor. A hummingbird with a scarlet
blotch under its chin hovers over a blossom's pink and white open
mouth and draws out nectar with delicate movements of its bill.
Bees move from flower to flower. Rhododendron and azalea bushes
burst into color-saturated bloom.
As it works to bring forth bud and flower, Aleph, caretaker
of the seasons, and night and morning, counts the city's breaths,
and marks the course of its creatures big and small. Bats fly
overhead, their gray shapes invisible to human eyes against the
bright sky; they soar and dip, responding to instructions gotten
through transceivers the size and weight of a grain of rice,
embedded in their skulls. Driven by precise artificial instinct,
mechanical voles, creatures formed of dark carbon fiber over
networks of copper, silver, and gold, scurry across the ground and
tunnel under it, carrying seed.
(A gray tabby cat springs from the underbrush, and its jaws
close on one of the swift voles; there is a loud crackle, and the
cat recoils with a squawk, its fur on end. The vole scurries
away. The cat slinks into underbrush, humiliated.)
A track of compacted lunar dust bisects the valley floor. It
passes through terraced farmlands where the River bursts from the
ground, rushing through small, rock-strewn courses, then winds
among the crops, small and sluggish, and disappears into small
ponds and lakes thick with detritus.
>From Earth and Moon comes a constant flow of people, of
things animal, plant and mineralthe stuff of a life web, an
ecology.
In many things, Earth provides. However, between the city of
six thousand and the Earth of billions, traffic moves both ways.
Neither sinister nor malign, Aleph pursues its destinies, and in
doing so affects other living things. Thus, as Earth reaches out
supporting, controlling, exploringAleph reaches back, and the
planet below has begun to feel the hard leverage of its
immaterial