way another man might stand up from a seat on an omnibus. It used to make her feel as if he were making room for her.
This quiet felt disapproving.
âOh, shut up, Crash,â she said, even though he hadnât said anything at all. âIâm sure you had a jolly day making wagers on my eventual public embarrassment and searching for yourâ¦balls.â
He made a little choking sound. âMy carbolic smoke ball, you mean?â
âI spent my day at honest labor.â Her voice shook. âHonest labor where every man who found me alone felt it was his right to pinch my behind.â
âSo why is getting your behind considered honest labor, whileââ He cut himself off. âNever mind. Iâm not arguing with you.â He glanced at her and shook his head. âWalk faster. Weâre almost there.â
She trotted after him. They turned a corner and traversed a street. He dragged his velocipede through the mud of a park before he turned to look at her.
âWhere are we going?â she asked.
He gestured to an abandoned gravel footpath that followed the line of a canal. The waters were brown and stagnant, running sullenly through the gray warehouses on either side. âHere.â
âHere?â She chafed her hands together. âWhat are we doing here? Could we not go somewhere warmer?â
âNo.â He gave her a not-quite friendly smile. âWe canât. You see, Iâm going to teach you how to ride my velocipede.â
For a second, she had an image of herself hurtling into the canal at full speed. She flinched back. âOh no. No. There isnât a chance of it. That is not at all what I had in mind.â
He pushed the contraption toward her. âOh, yes,â he countered. âYou are going to learn.â
She shook her head more violently. âFirst, your stupid veloci-whatever has nothing to do with the competition. Second, I could not walk on a fence rail without falling off, ever. I have no balance to speak of, let alone enough to manage thatâthing. Iâm not here to ride your daâyour dratted velociâ¦tastrophe. You said you were going to help me win.â
âI did,â he said. âAnd this is how youâre going to do it. Youâre going toââ
âLet me guess: Iâm going to wear a revealing outfit, come flying through the crowd on a velocicylsm, hurtle through a flaming hoop, and land on the stage to tumultuous applause.â
He blinked and looked at her. âWell, that would be one way to manage it. But I had quite a different idea in mind. See, thereâs a trick to riding a velocipede.â
âYou have to be a lunatic.â Daisy sniffed.
âCorrect,â Crash said. âYou have to be a lunatic, although that is rather unkind to the lunatics, donât you think?â
She made a noise in her throat in response.
âHereâs the trick: you have to not care. Our bodies learn motion from walking. When youâre walking, you learn to balance on your feet, to stay upright as you move. Height frightens us; speed more so. But all the rules weâve told ourselves must be true about motion in general? Theyâre wrong when weâre on a velocipede.â
He was warming to his subject matter. He leaned the contraption against a bench and began to use his hands to demonstrate.
âOn a velocipede,â he told her, âyou donât need to balance.â
âHow do you stay upright?â
âThe faster you go, the more stable you are.â
She snorted in disbelief.
âI know it sounds unlikely, but itâs true. When you turn, you might be afraid that youâll fall. You wonâtâbut to make sure, you should lean into the direction youâre turning.â
âPoppycock.â She swallowed. âYouâre trying to get your revenge. Youâre trying to kill me.â
He gave her an unreadable look. âYou
Liz Wiseman, Greg McKeown