name
the name of the Lord
who likes those who give
so that others may receive . . .
The hurt and disappointment that Essex experienced at the hands of his father is the likely subject of the poignant poem he dated February 23, 1974:
You built my hopes up high
knowing that you wouldn’t
be at the bottom to catch them
when they fell
You promised you would be there
whenever I needed you
but you never came
You promised me I wouldn’t be hurt by you
but the pain is still here
because
you and your promises are gone
The simmering anger that Essex felt for anyone—perhaps including his father—who dared to mock his dreams comes out strongly in the poem he entitled “Revenge,” dated January 21, 1975:
Step on my dreams, and I’ll break your legs
and feet into pieces which will never, ever
fit together again,
You will be crippled.
call me names, and I will still your mind,
Busting it in half with a brick,
which has your name signed on it,
it is there that the names were thought . . .
By age twenty, encouraged by the prominent African American children’s writer Sharon Bell Mathis, Essex would start trying to get some of his poems published. Though little literary merit can be claimed for most of them, an occasional fragment provides some foretaste of the powerful poet he’d later become:
The radio plays syncopated rhythms
To soothe and relax
Black bodies in the quiet of night
that have met
and come/together/apart
from one another
saying something to each other
that words weren’t made for
and these same
syncopated rhythms
raise the hand
that will slap a face
and crack, what could’ve been
but now isn’t
while she walks the streets
syncopated rhythmically
to do her thing
with whoever is willing to/for a couple of sheets
of green stuff
moving her body to a beat
that will feed the