âThisscientist named Konrad Lorenz discovered that right after they hatched the baby birds would imprint on whatever they saw. When he raised them himself, they imprinted on him and followed him around everywhere he went. Other scientists tried it with cats or beach balls or different shapes cut out of plastic and it always worked. And when the baby ducks grew up, they only wanted to mate with those exact things.â
The kids are interested. âThatâs too weird,â one of them says, and for once they want to know why.
âWell, I donât know. Nobody completely understands whatâs going on when this happens, but we understand the purpose of it. The animalâs brain is set up so it can receive this special information that will be useful later on. Normally the first thing a baby duck sees would be an adult duck, right? So naturally that would be the type of thing it ought to grow up looking for. Even though itâs less extreme, we know this kind of behavior happens in higher animals too.â She knows sheâs losing her audience as she strays from ducks, but feels oddly compelled by the subject matter. âMost animals, when theyâre confused or under stress, will fall back on more familiar behavior patterns.â As she speaks, Lydia has a sudden, potent vision of the entire Father John family, the downtrodden women at their mandala woodstove and the ratty-haired children and the sublime Father John himself. And standing behind him, all the generations of downtrodden women that issued him forth.
A girl in the back speaks up. âHow did the scientists get the ducks to, um, go back so they were normal?â
âIâm sorry to say they didnât. Itâs a lifetime commitment.â Lydia really is sorry for the experimental ducks. She has thought of this before.
âSo they go around wanting to make it with beach balls all the time?â one boy asks. Several of the boys laugh.
Lydia shrugs. âThatâs right. All for the good of science.â
Â
She wakes up furious, those women and ducks still on her mind. Instead of boiling the water for coffee and oatmeal, she goes to the sink and picks up the handmade soup tureen. âDo you like this bowl?â she asks Whitman, who is standing beside the bed buttoning his shirt.
He looks at her, amazed. They havenât been asking lately for each otherâs opinions. âI donât know,â he says.
âYou donât know,â she says. âI donât either. Iâm ambivalent, thatâs my whole problem.â She holds it in front of her at armâs length, examining it. Then she lifts it to chin level, shuts her eyes, and lets it fall on the stone hearth. The noise is remarkable and seems to bear no relation to the hundreds of pieces of crockery now lying at her feet, cupped like begging palms, their edges as white and porous as bone. Lydia, who has never intentionally broken anything in her life, has the sudden feeling sheâs found a new career. She goes to the cabinet and finds the matching duckshaped ladle and flings it overhand against the opposite wall. It doesnât explode as sheâd hoped, but cracks like a femur and falls in two pieces. David gets up and stands by the door, looking back over his shoulder, trembling a little. Whitman sits back down on the bed and stares, speechless and bewildered.
âI never applied for this job Iâm doing here,â she says. âI donât know how I got into it, but I know how to get out.â With shaky hands she stacks her papers into neat piles, closes her briefcase, and goes to work.
Â
The walk home from school is not pleasant. The mud sticks to her boots, making her feet heavy and her legs tired. Tonight sheâll have a mess to clean up, and sheâll have to talk to Whitman. But his silent apathy has infected her and sheâs begun to suspect thateven screaming wonât do it. Not talking,