coming home he had done away with his uniform. He had put on his old clothes: Leviâs and a wide black belt, a gray work shirt, and a straw hat with a low crown and a wide, rolled brim. His sleeves were rolled high, and his arms and hands were newly sunburned. The appearance of one of the men was striking. He was large, lithe, and white-skinned; he wore little round colored glasses and rode a fine black horse of good blood. The black horse was high-spirited, and the white man held its head high on thereins and kept the stirrups free of it. He was the last in line, and when he had taken his place with the others in the shade of the wall, an official of the town brought a large white rooster from one of the houses. He placed it in the hole and moved the dirt in upon it until it was buried to the neck. Its white head jerked from side to side, so that its comb and wattles shook and its hackles were spread out on the sand. The townspeople laughed to see it so, buried and fearful, its round, unblinking eyes yellow and bright in the dying day. The official moved away, and the first horse and rider bolted from the shade. Then, one at a time, the others rode down upon the rooster and reached for it, holding to the horns of their saddles and leaning sharply down against the shoulders of their mounts. Most of the animals were untrained, and they drew up when their riders leaned. One and then another of the boys fell to the ground, and the townspeople jeered in delight. When it came Abelâs turn, he made a poor showing, full of caution and gesture. Angela despised him a little; she would remember that, but for the moment her attention was spread over the whole fantastic scene, and she felt herself going limp. With the rush of the first horse and rider all her senses were struck at once. The sun, low and growing orange, burned on her face and arms. She closed her eyes, but it was there still, the brilliant disorder of motion: the dark and darker gold of the earth and earthen walls and the deep incisions of shade and the vague, violent procession of centaurs. So unintelligible the sharp sound of voices and hoofs, the odor of animals and sweat, so empty of meaning it all was, and yet so full of appearance. When he passed in front of her at a walk, on his way back, she was ready again to deceive. She smiled at him and looked away.
The white man was large and thickset, powerful and deliberate in his movements. The black horse started fast and ran easily, even as the white man leaned down from it. He got hold of the rooster and took it from the ground. Then he was upright in the saddle, suddenly, without once having shifted the center of his weight from the spine of the running horse. He reined in hard,so that the animal tucked in its haunches and its hoofs plowed in the ground. Angela thrilled to see it handled so, as if the white man were its will and all its shivering force were drawn to his bow. A perfect commotion, full of symmetry and sound. And yet there was something out of place, some flaw in proportion or design, some unnatural thing. She keened to it, whatever it was, and an old fascination returned upon her. The black horse whirled. The white man looked down the Middle toward the other riders and held the rooster up and away in his left hand while its great wings beat the air. He started back on the dancing horse, slowly, along the south wall, and the townspeople gave him room. Then he faced her, and Angela saw that under his hat the pale yellow hair was thin and cut close to the scalp; the tight skin of the head was visible and pale and pink. The face was huge and mottled white and pink, and the thick, open lips were blue and violet. The flesh of the jowls was loose, and it rode on the bone of the jaws. There were no brows, and the small, round black glasses lay like pennies close together and flat against the enormous face. The albino was directly above her for one instant, huge and hideous at the extremity of the