middle of one a white oleander bloomed, and in the middle of the other stood an orange tree bearing both fruit and blossoms at the same time. A boyâs bicycle leaned carelessly against the tree as if its owner had suddenly found something more interesting to do. The windows of the small stucco house were closed and the blinds drawn. Someone had recently hosed off the sidewalk and the porch. Little puddles steamed in the sun and disappeared even as Quinn watched.
The front door had an old-fashioned lionâs-head knocker made of brass, newly polished. Reflected in it Quinn could see a tiny crooked reflection of himself. In a way it matched his own self-image.
The woman who answered the door was, like the house, small and neat and no longer young. Although her features were pretty and her figure still good, her face lacked any spark of interest or animation. It was as if, at some time during her life, she had stepped outside and had never been able to find her way back in.
Quinn said, âMrs. OâGorman?â
âYes. But Iâm not buying anything.â
Sheâs not selling either, Quinn thought. âIâm Joe Quinn. I used to know your husband.â
She didnât exactly unbend but she seemed faintly interested. âThat was you on the telephone?â
âYes. It was kind of a shock to me, suddenly hearing that he was dead. I came by to offer my condolences and apologize if my call upset you in any way.â
âThank you. Iâm sorry I hung up so abruptly. I wasnât sure whether it was a joke or not, or a piece of malice, having someÂone ask for Patrick after all these years. Everyone in Chicote knows that Patrickâs gone.â
Gone. Quinn registered the word and her hesitation before saying it.
âWhere did you know my husband, Mr. Quinn?â
There was no safe reply to this but Quinn picked one he considered fairly safe. âPat and I were in the service toÂgether.â
âOh. Well, come inside. I was just making some lemonade to have ready for the children when they get home.â
The front room was small and seemed smaller because of the wallpaper and carpeting. Mrs. OâGormanâs tasteâor perÂhaps OâGormanâsâran to roses, large red ones in the carpet, pink and white ones in the wallpaper. An air-conditioner, fitted into the side window, was whirring noisily but without much effect. The room was still hot.
âPlease sit down, Mr. Quinn.â
âThank you.â
âNow tell me about my husband.â
âI was hoping youâd tell me.â
âBut that isnât how itâs done, is it?â Mrs. OâGorman said. âWhen a man comes to offer condolences to the widow of his old war buddy, reminiscences are usually called for, arenât they? So please start reminiscing. You have my undivided attention.â
Quinn sat in an uneasy silence.
âPerhaps youâre the shy kind, Mr. Quinn, who needs a little help getting started. How about, âIâll never forget the time thatââ? Or you might prefer a more dramatic approach. For instance, the Germans were coming over the hill in swarms and you lay trapped inside your wrecked tank, injured, with only your good buddy Pat OâGorman to look after you. You like that?â
Quinn shook his head. âSorry, I never saw any Germans. Koreans, yes.â
âAll right, switch locales. The scene changes to Korea. Thereâs not much sense in wasting that hill and the wrecked tankââ
âWhatâs on your mind, Mrs. OâGorman?â
âWhatâs on yours?â she said with a small steely smile. âMy husband was not in the service, and he never allowed anyÂone to call him Pat. So suppose you start all over, taking someÂwhat less liberty with the truth.â
âThere isnât any truth in this case, or very little. I never met your husband. I didnât know he was dead. In
Liz Wiseman, Greg McKeown