traffic. Like the VW van, she had a habit of stalling, and too often we sat frozen when red lights turned green. The honking gave me a headache.
Still, I was full of excitement when we finally walked out of the elevator and into the recording studio. Assorted members of the Lampoon were waiting for us, including Michael OâDonoghue, then one of my fatherâs closest friends. The guys showed me around the sound booth, the colossal earphones, the warren of levers and buttons that controlled the volume, the mike that needed to be adjusted to accommodate my four-foot height. When the engineer said they were ready for me, I suddenly got shaky. My father had to feed me my line:
âWhat can you expect from a God who crucified his own son?â
I practiced it a few times with him, working to say it exactly on his hand signal. On the first take, I got the line wrong. On the second, I said it too fast. Finally, after a few more tries, I nailed it.
âThat was perfect!â Daddy said, taking the headphones off my small, bright-red ears. I was elated. We stepped from the booth, and I held his hand as we stood with Michael, my mother, and Kathy. The engineer played back the cut. I was thrilled to listen to myselfcoming through the speakers, but after he heard it, my father looked down at me.
âDid you know you are going to hell for what you just said, Jessie?â
My stomach turned. I hadnât gone to church more than a handful of times, but I had heard all about hell from my dadâthe burning bodies, the devil, and the red-hot pokers stuck in your eyes for ever and ever. Jessica Christ had worried me. But now, I had said something bad about God. My worst fears were coming true, and it was my own fault. âBut you told me to say that, Daddy!â I blurted. âYou told me to say that!â
âIt doesnât matter,â he said calmly. âYou are still going to hell. In fact, Jessie, now we are both going to hell.â
âBut Daddy, what if I say Iâm sorry?â I was desperate.
âItâs too late for that,â he said. âGod listens to records.â
Maybe everyone in the room laughed. All I remember is that no one reassured me that I was not, in fact, destined for eternal damnation. It might not have made much of an impression if they had. I always believed my father.
I got my $50 and went off to spend it in wonderlandâthe gigantic FAO Schwartz on Fifth Avenue. But I felt sick as I looked at the doll house furniture, stuffed animals, toy cars, and roller skates. Yes, they could be mine. But all I could think about was what awaited me. Hell.
God listens to records. And there was nothing I could do about it.
A few months later, my father lay naked on the ice of the frozen riverbed outside our house, curled in a fetal position. Above him, my mom brandished a blood-specked baseball bat. He was freezing to death. He had to be. After all, it must have been close to zero outside. And he lay there shivering, in a pool of bloodâuntil the Lampoonâs art director told him he could get up. Kathy and I watched from the shore.
Christmas had passed, and whatever thoughts I had of going to hell had abated, but my fears for my father remained. He still traveled into the city often, and when he might return never seemed certain. And so I was glad when he began bringing his work home with himâno matter how bizarre it turned out to be. At that time, the Lampoon had no budget for its photo spreads. Open the magazine, and you would see the editors modeling T-shirts or a naked Michael OâDonoghue as âMr. Yum-Yum Cosmo, cutie of the monthâ in a Cosmopolitan parody. So when my dad decided to parody a burly hunter clubbing a baby seal for the Lampoon âs âMenâ issue, he offered to shoot it in our backyard. Why not stage the shoot on the frozen river? And why not feature my mom as the club-wielding hunter? And have Daddy curl up on the ice
Nalini Singh, Gena Showalter, Jessica Andersen, Jill Monroe