Hunchback of Notre Dame (Barnes & Noble Classics Series) by Victor Hugo Read Free Book Online Page A

made a great amount of noise and a great hubbub. From time to time the hubbub and the noise were redoubled; the current which bore this throng towards the great staircase was turned back, eddied, and whirled. Some archer had dealt a blow, or the horse of some provost’s officer had administered a few kicks to restore order,—an admirable tradition, which has been faithfully handed down through the centuries to our present Parisian police.
    At doors, windows, in garrets, and on roofs swarmed thousands of good plain citizens, quiet, honest people, gazing at the Palace, watching the throng, and asking nothing more; for many people in Paris are quite content to look on at others, and there are plenty who regard a wall behind which something is happening as a very curious thing.
    If it could be permitted to us men of 1830 to mingle in imagination with those fifteenth-century Parisians, and to enter with them, pushed, jostled, and elbowed, into the vast hall of the Palace of Justice, all too small on the 6th of January, 1482, the sight would not be without interest or charm, and we should have about us only things so old as to seem brand-new.
    With the reader’s consent we will endeavor to imagine the impression he would have received with us in crossing the threshold of that great hall amidst that mob in surcoats, cassocks, and coats of mail.
    First of all there is a ringing in our ears, a dimness in our eyes. Above our heads, a double roof of pointed arches, wainscotted with carved wood, painted in azure, sprinkled with golden fleur-de-lis ; beneath our feet, a pavement of black and white marble laid in alternate blocks. A few paces from us, a huge pillar, then another,—in all seven pillars down the length of the hall, supporting the spring of the double arch down the center. Around the first four columns are tradesmen’s booths, glittering with glass and tinsel; around the last three, oaken benches worn and polished by the breeches of litigants and the gowns of attorneys. Around the hall, along the lofty wall, between the doors, between the casements, between the pillars, is an unending series of statues of all the kings of France, from Pharamond down,—the sluggard kings, with loosely hanging arms and downcast eyes; the brave and warlike kings, with head and hands boldly raised to heaven. Then in the long pointed windows, glass of a thousand hues; at the wide portals of the hall, rich doors finely carved; and the whole—arches, pillars, walls, cornices, wainscot, doors, and statues—covered from top to bottom with a gorgeous coloring of blue and gold, which, somewhat tarnished even at the date when we see it, had almost disappeared under dust and cobwebs in the year of grace 1549, when Du Breuil admired it from hearsay alone.
    Now, let us imagine this vast oblong hall, lit up by the wan light of a January day, taken possession of by a noisy motley mob who drift along the walls and ebb and flow about the seven columns, and we may have some faint idea of the general effect of the picture, whose strange details we will try to describe somewhat more in detail.
    It is certain that if Ravaillac had not assassinated Henry IV there would have been no documents relating to his case deposited in the Record Office of the Palace of Justice; no accomplices interested in making off with the said documents, accordingly no incendiaries, forced for want of better means to burn the Record Office in order to burn up the documents, and to burn the Palace of Justice in order to burn the Record Office; consequently, therefore, no fire in 1618. The old Palace would still be standing, with its great hall; I might be able to say to my reader, “Go and look at it,” and we should thus both of us be spared the need,—I of writing, and he of reading, an indifferent description; which proves this novel truth,—that great events have incalculable results.
    True, Ravaillac may very possibly have had no accomplices; or his accomplices, if he