wall, right next to the door.
“What did you think of your first classes?” Tamara talks to both of us, but looks at me.
I shrug. What is it with everyone and all the questions today?
Hunter starts talking and I zone out, just listening to his voice and standing there in the sun. I don’t care if I get a tan. The black clothes are mostly just because people won’t talk to me when I wear them, and, I guess, a leftover from when I was still in high school.
My phone buzzes and I check it. It’s a message from Lola. ‘Hey, I’m done for the day, you want to go home together?’
‘Yeah. See you at the car park.’ I reply and look up. Hunter and Tamara are both looking at me. “I’ve gotta go. My sister wants to go home together.” I turn around, and I’m gone before they can say anything back.
I like the place, but I’m just too tired to really deal with people right now. I want to curl up with my drawing tools and make something, or maybe even just curl up and do nothing at all.
* * *
“ A re you sure it’s okay?” I wrap myself around the pillow in front of me. Lola is sitting on the other end of the couch. She’s been really cool about letting me have the garage. I know that she may have wanted it more, a place of her own, but I just didn’t want to live in the house with our parents and everything, so we converted the garage. This way I’m close without actually being in the same house. I like my independence, even if it’s only a little bit of it.
“Of course. I don’t mind living at home. It’s not like I’m used to anything else.” She shrugs. “I like it when there are people around.”
Lola likes people, she always has. I don’t remember her as anything but a social butterfly.
“Hey, I thought you were supposed to work on that?” She points to a canvas at the back of my small living room.
“I know. I was…” Distracted? Everything that happened yesterday just left me wanting to do some pencil art instead of paint.
“Do you have something new to show me?” She leans forward. She knows that when I’m not painting, I’m doing something else. I’m always doing something creative.
“Not yet.” I don’t want to show the drawing of Hunter’s dragon from the square we went to to anyone just yet, especially since it’s not done. “It will probably be done in a couple of days.” I’ve taken his design and just added more and more things. I like where it’s going, but for now, it’s not ready to be shown to anyone just yet.
“Fine.” She pouts. “Then I won’t tell you about the new story I’m working on.”
“No fair!” Lola is magical with words, she can do such awesome things with them. While my creativity is on the hands-on side, her creativity is all about words. Novels, short stories, even lyrics for music.
“Okay, fine.” She sticks out her tongue and then sits next to me on the couch. I lean against her and she wraps her arm around my shoulder. She is the only one. She is the only person who is allowed to touch me. I like curling up with her, because it feels like we’re back to being one person, one ball of creativity.
As she talks about the plot, the idea, the story, I can see it in front of me, slowly unfolding, and it gives me more creative ideas to keep working on. We’ve worked together before, made a short children’s story, with text and images, all together. It’s still somewhere in a drawer. Maybe we should do that again.
Chapter 6
Hunter
A fter Lizzy left , I hung around the workshop a bit more, helped the group of people with their curtains and looked at some of the supplies that they have. Like Tamara said, they have a good range of things at the workshop—even if I can’t work with metal, they have good-quality clay, paint and thousands of pencils.
I remember the feeling when I used to come into the supply room. I was only a boy. It was almost magical, all those supplies, all the different pieces of art that could be made from