In the Shadow of the Cypress
he’d been through so far.
    Now, it must be said that Mr. O’Flynn never struck me as a man easily given to fits of philanthropy, nor was he, on the other hand, perceptibly materialistic or acquisitive. To his credit, he has a fine head for balancing funds owing against labor spent and the going price of such services. Thus he appears to modestly balance his accounts in the black, more or less. And Inever heard him mutter an envious sentiment toward those who possessed more wealth or property than he did, or ever voice an ambition based on serendipitous wealth. For all intents, O’Flynn seems to have accepted his station in life, and appears to have all he needs, if not all he desires. And though there are no scales to judge unspoken aspirations, I’m persuaded that his decidedly circumspect and suspicious nature would not allow him the luxury of indulging daydreams of instant wealth based on what little we had in hand.
    Perhaps this instinct was buttressed when I informed him that the only true value of the plaque, and what I perceived to be an official seal, was the importance and context of the inscriptions carved upon them. It seemed to be a case of the message outweighing the value of the gilt-edged parchment upon which it’s written. Once these elements had been properly cataloged and recorded, the objects themselves, regardless of all commercial considerations, would ultimately take their place in some well-endowed state institution where they would most likely be displayed as the historical curiosities they are. I reminded Mr. O’Flynn that he was not the only one who had something to gain or lose. My time spent on research could easily still prove little more than a study in academic frustration. With that, I encouraged the man to forgo his suspicions for a few hours and assist in the evening’s labors.
    With Mr. O’Flynn’s help I lit all the reflector lamps, adjusted the mirrors, and prepared to photograph the jade giraffe seal. In consultation we agreed to take six plates of the jade figure, and six of the stone plaque. As this was the first time I had laid eyes on the latter, I spent quite a while studying the stone, examining the engraving, and matching the charcoal rubbing with the plaque for accuracy. I can testify that the stone was abeautifully executed piece of work. The inscriptions were set out in three distinct languages and scripts, with slight hints of gold foil inlaid here and there to highlight certain characters. It appeared, from remaining traces, that similar foil had also been used to highlight details of the border decorations.
    The uppermost text was comprised of thirty-six vertical lines inscribed in what I assumed was Chinese. The second segment, though I couldn’t be sure, looked to be of equal length in text, and marginally akin to a medieval form of Persian. But the lowest and most cryptic segment was set out in an alphabet I was totally unfamiliar with, and subsequently unable to identify with any reference available from my meager library at home.
    With Mr. O’Flynn’s assistance, I readjusted the lamps and mirrors to accommodate the photographs of the plaque. But even with our best efforts, and all the light available, viewing the inscriptions through the lens was difficult. Mr. O’Flynn solved the difficulty by suggesting that we brush wheat flour over the stone and then wipe off the surface so that the engraved characters would appear white in contrast to the dark surface, and this we did with some success.
    By half past midnight, Mr. O’Flynn and I had finished our task. Without further ceremony, he carefully gathered up his treasures and went off into the night to hide them somewhere new. I never asked where he intended to deposit the artifacts, which I believe added further confidence to our informal association. I had all I needed for the present. The photographs, if they proved legible and credible, stood as solid testimony to the existence of the originals. I’m

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