of view of the woman – who had looked through his belt-satchel while he slept, found his wide wire shears, and used them to cut away the black lengths of her habit. When he walks out of the Ohrida Lake Restaurant that morning it is her weather he grows aware of. He knows he will find her.
There are long courtships which are performed in absence. This one is built perhaps on his remark about her hair or her almost-silent question as he was falling off some tower or bridge into sleep. The verge of sleep was always terrifying to Nicholas so he would drink himself into it blunting out the seconds of pure fear when he could not use his arms, would lie there knowing he’d witness the half-second fall before sleep, the fear of it greater than anything he felt on the viaduct or any task he carried out for the Dominion Bridge Company.
As he fell, he remembers later, he felt a woman’s arm reaching for him, curious about his name.
He is aware of her now, the twin. What holds them together is not the act which saved her life but those moments since. The lost song on the radio. His offhand and relaxed flattery to a nun with regard to her beauty. Then he had leaned his head back, closed his eyes for too long, and slept.
A week later he rejoins the flatbed truck that carries the tar and fire, jumps on with the other men, and is back working at the bridge. His arm healed, he swings from Pier D to Pier C, ignores the stories he hears of the nun who disappeared. He lies supine on the end of his tether looking up towards the struts of the bridge, pivoting slowly. He knows the panorama of the valley better than any engineer. Like a bird. Better than Edmund Burke, the bridge’s architect, or Harris, better than the surveyors of 1912 when they worked blind through the bush. The panorama revolves with him and he hangs in this long silent courtship, her absence making him look everywhere.
In a year he will open up a bakery with the money he has saved. He releases the catch on the pulley and slides free of the bridge.
THE SEARCHER
P ATRICK LEWIS arrived in the city of Toronto as if it were land after years at sea. Growing up in the country had governed his childhood: the small village of Bellrock, the highway of river down which the log drivers came, drinking, working raucous, and in the spring leaving the inhabitants shocked within the silence. Now, at twenty-one, he had been drawn out from that small town like a piece of metal and dropped under the vast arches of Union Station to begin his life once more. He owned nothing, had scarcely any money. There was a piece of feldspar in his pocket that his fingers had stumbled over during the train journey. He was an immigrant to the city.
What remained in Patrick from his childhood were letters frozen inside mailboxes after ice storms. What he remembered was loving only things to do with colour, hating the whiteness, stepping into the warm brown universe of barns, the breath and steam of cattle rolling out, the acrid shit and urine he could summon up even now in the heart of Toronto. The smell had paraded grandly over his first seduction in a hay bed, the angry girl slapping him when both were full and guilty. What he remembered was frozen laundry, carrying overalls like a body into the kitchen and seating them in a chair, hoping his father would see them before they melted and lolled over the table.
Then summer. Blackflies and mosquitoes. Leaping not into hay but into the black underwater colour of creek, walkingnaked to the farmhouse, chewing rhubarb, clothes under one arm. You bit the glossy skin of the raw rhubarb and ripped its fibres open and sucked the flavour out. You put the smallest pellet of raspberry onto your tongue and opened it delicately with your teeth. You stood in a field on a hot day obsessed with this precise taste.
Now, in the city, he was new even to himself, the past locked away. He saw his image in the glass of telephone booths. He ran his hands over the smooth