inserting me into her as I became fully hard again. This may have been the singleâor double, or triple, I lost countâgreatest sexual experience of our marriage, and by the time we were done, even the palms of my hands and the soles of my feet were tender from pushing against the canvas drop cloths.
After, lying together on the floor beneath the easel, beneath the painting that could very well be the best American portrait since Whistlerâs Mother , I told her about Schmelling, that today, instead of crawling, he crabwalked, told her Iâd figured it all out, that he was some poor midlevel schmuck who was never going anywhere and that his way of rebelling was to put on this weird act in the parking lot every so often. I wanted to tell her about following Smith, about the way things seemed out of place at the IC that day, about having to avoid the manager, about the retarded boy at Walgreens, but I never got the chance. As soon as I got it out about Schmelling and the crabwalk, she leaped to her feet as if someone had poked her with a cattle prod. I tried to call for her, but she was already gone from the room. Sheâd run into our bedroom and locked the door, and standing there in the hallway, naked and cold and covered with the sticky, drying liquids of our love, I could hear her crying.
After trying the door and calling for her a couple of times, I, not knowing what else to do, went to the guest bathroom to take a shower. While I was in there, lathering and rinsing and trying to guess what in the world Iâd done wrong, I could hear her stomping about outside in the hall between our bedroom and the studio. I wasnât that alarmed, really, at least not as alarmed as I realize now I should have been. I mean, I lived with Marcie, she was my wife, and she was temperamental, andmuch more of a believer, or at least much more receptive, to the things in life that float beneath the surface (which, as I said before, we create for ourselves as need be). Marcie was the artist, the woman of moods and funks and elations, and I was the calm, levelheaded one who kept us grounded in the world and made the work she did possible. It was the perfect arrangement, it seemed to me, each of us using our own skills and bents and frames of mind to make our marriage a true union, to make up one body that was prepared to meet the world on whatever terms it asked of us. I still had no idea what Iâd done wrong, but I decided it didnât matterâIâd get out of the shower, towel off, and then go to her and hold her until she calmed down, and Iâd say Iâm sorry and Iâm sorry and Iâm sorry again, for whatever Iâd done to upset her. And then the door opened, and she flung back the shower curtain and threw in the painting in six neatly razored, beautifully colored strips.
I jumped quickly to dodge the initial burst of whatever she was throwing at me, but when I saw it was the painting and that it was being ruined by the water, I tried to pick it up somehow. She stood there, tiny and furious, wreathed by steam.
âJust leave it,â Marcie said. âYouâre the one who killed it.â
âMarcie, what are you talking about? I thoughtââ
âNo, you didnât think, you son of a bitch. You didnât think at all.â
âWhat are you . . . why did you do this?â
âI could ask you the same thing, couldnât I?â She was really screaming now, trying to talk through the kind of tears that should be saved for those two or three times in your life when unless you cry like that thereâs no way to go on living, the kind of tears that leave you completely at their mercy, when you canât even control your arms and legs and spine anymore, so you flail around in some kind of rhythm that only your sobbing knows. âYou . . . murderer! â
When I stepped out of the shower, she got control of herself enough to run from the bathroom. She