Christ child in the stall with ox and ass. In Ara Coeli they listened to the sermons of little girls and boys, who climbed in turn onto a platform and acted out the story of the birth: some shyly reciting a verse, prompted by an anxious mother; others, mainly girls, declaiming with Italian tragic pathos and rolling eyes like little actresses and ending with a religious moral. The common people and countless tourists listened to the sermons: a pleasant atmosphere prevailed in the church, where the shrill young children’s voices orated; there was loud laughter at gestures and effects; and the clergy walking around were wreathed in unctuous smiles, so sweet and touching was the scene. And in the chapel of the Santo Bambino the miraculous wooden idol was radiant with gold and jewels and thedense throng milled about in front of it.
All the guests at Belloni bought holly branches on Piazza de Spagna and decorated their rooms, and some, for example Baroness Von Rothkirch, set up a private Christmas tree in their own room. The evening before the great festival everyone went to admire these private trees; they walked in and out of rooms, and all the guests, however much they sometimes squabbled and intrigued against each other, wore benevolent seasonal smiles and received everyone. There was general agreement that the baroness had gone to great trouble and that her tree was magnificent, and that her bedroom had been nicely transformed into a boudoir; the beds draped to become sofas, the washbasins concealed, and the trees radiant with light and gold. And the baroness, in a rather sentimental mood this evening, threw open her doors to everyone, and even offered the two aesthetic ladies sweets, when the
marchesa
also appeared smiling at her door, her bosom wreathed in sky-blue satin, and wearing even larger pendant crystal earrings than usual. The room was full; there were the Van der Staals, Cornélie, Rudyard, Urania Hope, other guests walking in and out, with the result that one could not budge, and was crammed together on the draped beds of mother and daughter. The
marchesa
brought in at her side an unknown young person: small, slim, with a pale olive complexion, with vivaciously sparkling dark eyes, in tails, and with the nonchalant good manners of an indifferent and weary man of the world; distinguished, yet supercilious. And she proudly approached the baroness, who was constantly and charmingly dabbing her moist eyes and arrogantly introduced him:
“My nephew,
duca di San Stefano, principe di Forte-Braccio
…”
The widely known Italian name was deliberately trumpeted loudly into the crowded, far from spacious room and all eyes focused on the young man, who bowed to the baroness and looked vaguely and ironically round the room. The
marchesa
’s nephew had not yet been seen in the hotel that winter, but everyone knew that the young Duke of San Stefano, Prince of Forte-Braccio, was a nephew of the
marchesa
, and one of the advertisements for her
pensione
. And while the prince spoke to the baroness and her daughter, Urania Hope stared at him as if he were a wondrous being from another world. She had grasped Cornélie’s arm as if for support, as if she were about to faint at the sight of so much Italian aristocratic grandeur. She found him very handsome, very distinguished: small, and slim and pale, with eyes like carbuncles, with his languid distinction, and the white orchid in his buttonhole. And she would have loved to ask the
marchesa
to introduce her to her chic nephew, but did not dare, thinking of her father’s stocking factory in Chicago.
The following evening was the festival of the tree and the ball. It was known that the
marchesa
’s nephew would be coming that evening, and emotions ran high all day long. The prince came after the presents had been taken off the tree and distributed, and by the side of his aunt, the
marchesa
, he made a kind of triumphal entry into the room where the ball had not yet begun but