chance to react to his boorish, amateurish, and scarcely original rants. Instead, the crowd of unfortunates were left to ponder in abject silence about what mortal sin they had committed that they might be punished in this way.
Using a pastiche of canned still images, movie, and video clips of battle sequences, sex, simulated and real executions projected onto the walls of the small theater and onto large screens suspended at the rear of the stage, Blunt-stone sat strapped into an electric chair. The artist, and I use the term generously, would lead into his various diatribes by reciting well-known poems. Then, with a single phrase, he would veer off, launching into poli-psycho-pop culture-babble at the top of his rather grating voice. Oh, many were the moment I prayed the electric chair were not a prop.
Bluntstone’s only glimmers of success came at those points during his performance when he stopped raging and took to playing a variety of uncanny homemade instruments. This critic suspects that he could go much further opening a one-man fix-it shop than with his dreadful oneman show. He would almost certainly make more money and more fans.
SEVEN
I didn’t want Candy around if I could help it, so I sat down the block from the Bluntstones’ place and waited. This was the part of the job I didn’t miss, the waiting. Although there were many days I would have preferred sitting alone in a too-hot or too-cold car—and having to piss into the coffee cup from which I’d just been drinking—to tying frilly ribbons around the necks of gift bottles wrapped in flimsy silver foil. I especially hated it when customers would come rushing in, throw their black AmEx cards down on the counter, and demand, “Just get me something red and expensive. I’m in a hurry.” Nothing like a fivehundred-dollar bottle of wine in a two-cent gift bag to impress your friends. Good night! Fuck you very much!
But whether Candy left the house or not, I was going to have a chat with Max, for whom I still had no use, in spite of his wife’s confession about using a fake pregnancy as a pretense for marriage and a means of escape. Max was just one of those people I took an immediate dislike to. Other than knocking up my kid’s best friend, role model, and babysitter, I mean, what was there to dislike about the guy, right? Okay, so the pregnancy was bullshit and maybe I felt more paternal about Candy than I realized, but that wasn’t all of it. Max was Eddie Haskell: handsome enough, charming, polite, and poison. Sometimes the way you feel about people has nothing to do with rationality, maybe most of the time, but that was only part of it when it came to Max. The minute I met him, my cop radar switched on and the arrow on my bullshitometer jumped into the red numbers. I just knew that nothing the guy said or did was pure. He was always performing; there was always a shadow motive, a hidden, less obvious agenda. Always. He was an emotional pickpocket and you had to watch both his hands, not just the one he wanted you to look at.
Candy did me the favor of leaving. Though she was made-up and well-dressed as she left the house, she looked broken and old as she made her way down the porch steps. I could relate. Her steps were robotic and it seemed to take all her strength just to pull open the door to the blue Honda CR-V parked on the stone driveway. I ducked as she drove past, though I needn’t have. She stared blankly, straight ahead. Stress had temporarily blinded her.
Max Bluntstone smirked when he answered the front doorbell, and didn’t seem surprised to see me.
“The Great White Father has arrived,” he said, showing me his back, but leaving the door open. “I knew you’d show up sooner or later. I’m in the kitchen.”
I closed the front and vestibule doors behind me and followed him into the kitchen. And as much as I wanted to continue to dislike him, the look of him made me heartsick. For as tired and broken and stressblind as his