them.
Cities exist to make possible the splendid lifeâthe life of mind and sense in harmony, fulfilled to the utmost.
Good!
But what of Jasonâs life? But that doesnât matter, of
course. Not to you!
Not with her there, pleading with her big pink boobs!
What counts with you,
O mixed-up Master Planner? You reason by whim, like
the rest of us,
for all your pompous, grandiose pretensions. Fact! You purse your lips, you muse in beatific silence, you
nod,
and you do what you damn well please! Well not to me,
husband!
I want what I want, and Iâm not putting elegant names
on it.â
Hardly moving, Zeus glanced at her. The queenâs lips
closed.
Then no one spoke for a long time. The attendant
gods
shifted uncomfortably, sullen, from leg to leg. Yet more than a few in that hall, I thought, would have backed
her if they dared. Athena
gazed demurely at the floor, as if checking a smile.
Zeus sat
with one hand over his eyes.
At length, as if contrite,
Athena said softly, âItâs fair and just that you
upbraid me, Lord.
But my heart spoke truer than my tongue. I gave you,
foolishly,
the reasons I thought expedient. But it was not the
survival
of the cityânot that aloneâthat I meant to beg of you. I plead for a good and patient man, a long-suffering
man,
one who merits what I ask for him. Aphroditeâs madness has chained him too long. Without the assistance of
any god,
heâs seen through it. O kind, wise Lord, donât frustrate
the climb
of a virtuous man on the rising scale of Good! I claim no special virtues for cities, but this much, surely,
is true:
Virtue tested on rocky islands, country fields, however noble we call it, is virtue of a lesser kindâ the virtue that governs the hermit, the honest shepherd.
The common
bee, droning from flower to flower in his garden, can
choose
whatâs best for him and for his lowborn, pastoral clan.
The common
horse can be diligent at work, if his hide depends on it. The lion can settle his mind to fight, if necessary, but his virtue, for all his slickness, the speed of his
paws, is no more
than the snarling mongrel dogâs. Itâs by what his mind
can do
that a man must be tested: how subtly, wisely he
manipulates
the world: objects, potentials, traditions of his race.
In sunlit
fields a man may learn about gentleness, humilityâ the glories of a sheepâor, again, learn craft and
violenceâ
the glories of a wolf. But the mind of man needs more
to work on
than stones, hedges, pastoral cloudscapes. Poets are
made
not by beautiful shepherdesses and soft, white sheep: theyâre made by the shock of dead poetsâ words, and
the shock of complex
life: philosophersâ ideas, strange faces, antic relics, powerful men and women, mysterious cultures. Cities are not mere mausoleums, sanctuaries for mind. Theyâre the raw grit that the finest minds are made of,
the power
that pains manâs soul into life, the creative word that
overthrows
brute objectness and redeems it, teaches it to sing.â
The goddess
bowed, an ikon of humility, and turned to the queen, stretching an arm in earnest supplication: âO Hera, Queen of Heaven, center of the worldâs insatiable will, support my plea! Speak gently, allure as only you can allure great Zeus to the good he would wish,
himself.â She bowed,
and the dew on a fern at dawn could not rival the
beauty of the dew
on Athenaâs delicate lashes. Aphrodite wept aloud, shamelessly, melted by Athenaâs words. Even Hera was
softened.
As the sea whispers in the quiet of the night when
gentle waves
lap sandy shores, so the great hall whispered with the
sniffling of immortal gods.
But Zeus sat still as a mountain, unimpressed, his hand
covering
his eyes. The gods stood waiting.
At last, with a terrible sigh,
he lowered the hand. From the sadness in his eyes,
the crushed-down
William R. Forstchen, Andrew Keith