leather.
âDoes this black calfskin take your fancy, Jango?â
âNo, sir,â I answered. Iâd feel too infernal dressed up. âBut I do like that buckskin.â
âThen buckskin it is, Mr. Pratt. And kindly allow growing room in the toes.â
The cobbler nodded. âIâll have boots on the ladâs feet tomorrow.â
âCapital,â Mr. Peacock-Hemlock-Jones said, and returned to his hot flip.
We were sitting down to supper when the stable boy began packing in the faceless paintings. It didnât surprise me that they caused a stir. I filled my mouth as quickly as I could before we got booted out. Mr. Foxhall would be sure to see that he had taken in some barmy variety of traveler.
But Mrs. Foxhallâs eyes lit up and the serving girls joined her in a cluster around the paintings. Everyone began to babble. I kept stuffing my mouth.
âHave you ever seen such lovely dresses?â I heard the innkeeperâs wife sigh. âAnd look at that lace collar! Why, it appears positively real!â
Mr. Peacock-Hemlock-Jones continued eating at a leisurely pace. âExcellent venison, sir,â he commented to Mr. Foxhall. But the landlord had turned to join his wife. The pictures drew people from every corner of the inn and they buzzed from one to the other like flies.
I wondered if they had all gone blind! Didnât they notice there wasnât a face to be found on any of the paintings? Why the fuss over dresses and lace collars?
The next thing I knew the innkeeper had stationed himself beside us. âYou are indeed an artiste extraordinaire, sir. Pictures without faces! Is that the latest fashion in Boston?â
âThe boiled potatoes are splendid,â Mr. Peacock-Hemlock-Jones replied.
âMy dear sir ââ
We were in for a snarl now, I thought. But Mr. Peacock-Hemlock-Jones rose from the table, ignoring the innkeeper, and strode toward the chattering women.
âMadam,â he said to Mrs. Foxhall. âWill you kindly select the painting of your choice.â
âOh, the one with the yellow dress, Mr. Jones. Is it from Paris?â
He lifted the frame and propped it across the arms of a chair. He brought an oil lamp closer, seated her opposite him, opened his paint box and set to work.
He began painting in red hair and snapping bright eyes and busied himself with the exact little smile that played about our landladyâs lips. I had never seen anything so wondrous fast and clever.
Perhaps an hour had passed when the innkeeper declared, âMy dear Maggie, itâs become the very image of you!â
Mr. Peacock-Hemlock-Jones kept daubing away in a burnt hurry. Finally he spoke with a brush clamped between his teeth. âDo you have a favorite brooch, Mrs. Foxhall?â
âIâll fetch your cameo,â said the innkeeper. But then he stopped short. âMr. Jones, I do hope your fee is not beyond our reach.â
âThere will be no fee, sir.â
He was daft, I thought! We hadnât so much as a penny with a hole in it and he was going to make a gift of the picture.
âWell, sir,â answered the innkeeper, his face aglow. âYouâre no businessman â I can see that. Youâre welcome to the Red Jacket as long as you care to favor us with your society. If you think you can best me in a contest of generosity youâre mistaken.â And off he went to fetch the brooch.
At least we would be eating, I thought. And the landlord wouldnât be putting the law on us. I couldnât help admiring Mr. Peacock-Hemlock-Jonesâ lofty confidence. Perhaps he wasnât so much a lunatic as an odd stick.
I watched him brush in a cameo at Mrs. Foxhallâs neck, and the portrait was finished. The faceless painting now had a face. The innkeeper immediately hung it on the wall, and everyone stood back to gaze at it. By that time I was so tired and sleepy I could hardly keep my eyes open.