Strato his sword. Strato held the blade straight out in front of him. âFarewell, my lord,â he said, turning his face away.
Brutus threw himself forward, gripping Stratoâs wrist to guide the sword into his own body. âFarewell, good Strato,â he moaned, and sank to the ground, his hands round the bloodyblade. âI hope youâre satisfied now, Caesar,â he said as his eyes glazed over. âIâm killing myself far more willingly than I killed youâ¦â
Then Brutus died, his last breath leaving him like a sigh of regret. Strato stood beside him, his head bowed, and barely looked up when Octavius and Antony arrived with their men. Messala was with them, having already been pardoned by Octavius, as were all the other surviving members of the plottersâ army. Messala walked over to Strato and put an arm round his shoulder.
âTell me, Strato,â he said, his voice gentle. âHow did Brutus die?â
âI held his sword,â said Strato, almost choked. âAnd he ran onto itâ¦â
âThis was the noblest Roman of them all,â said Mark Antony, taking off his helmet, the others doing the same. âThe other conspirators were just jealous of Caesar, but Brutus believed he was acting for the good of Rome and its people. He lived a good life, and we could lookat him and say â this was a man!â
âWeâll give him the burial a man like him truly deserves,â said Octavius. âWeâll put his body in my tent tonight, where heâll lie like a brave soldier.â
So six soldiers raised up his body, took the noble Brutus away.
And a lone Roman trumpet sounded the end of this terrible day.
ABOUT THE AUTHOR
Tony Bradman was born in London and still lives there. He has written a large number of books for children of all ages, including 25 titles about his most popular creation, Dilly the Dinosaur.
Dilly the Dinosaur
was made into a long-running TV series and one of the books was shortlisted for the Childrenâs Book Award. Tony has also edited many anthologies of poetry and short stories.
Tony loves reading about the classical world and Roman history, and also going to see Shakespeare plays performed at the restored Globe Theatre on Londonâs South Bank. So doing an adaptation of Shakespeareâs famous play about Julius Caesar was the perfect job!
S HAKESPEARE T ODAY
S HAKESPEARE T ODAY
S HAKESPEARE T ODAY
S HAKESPEARE T ODAY
This electronic edition published 2011 by Bloomsbury Publishing Plc
Text copyright © 2011 Tony Bradman
First published 2008 by
A & C Black
Bloomsbury Publishing Plc
50 Bedford Square, London, WC1B 3DP
www.acblack.com
Illustrations copyright © 2011 Mark Oldroyd
The rights of Tony Bradman and Mark Oldroyd to be identified as author and illustrator of this work respectively have been asserted by them in accordance with the Copyrights, Designs and Patents Act 1988.
All rights reserved. You may not copy, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (including without limitation electronic, digital, optical, mechanical, photocopying, printing, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
eISBN 9781408163795
A CIP catalogue for this book is available from the British Library.
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