notches below her, like Iâm some kind of lady-in-waiting, but then a clear little bubble of snot comes out of Whitneyâs nostril, and I stop and stare at it. Itâs perfectly developed, a round and jolly little thing. She stands there, ignorant, and I canât help myself.
âOh my God.â I laugh.
âWhat?â she says, and I tell her to look in the mirror. She walks to the chest of drawers and looks into the large rectangular mirror that hangs above it.
âWhoa,â she says. She tilts her head to the right, then left.She doesnât sniffle or wipe it away. I watch her looking at herself.
âYou may have set a record,â I say.
âNow that is g money right there.â She turns slowly and strikes a funny pose with her hands on her hips, her face in profile, proud like a conqueror. Then she breaks the pose and looks around, maybe for something to wipe her nose with. She ends up using her T-shirt. âWell, that was awesome. A nice welcoming. Iâm such a spaz,â she says, in a way thatâs the opposite of spazziness. Her way of speaking is languid, like her words have been out in the sun for too long.
We talk a little more, small talk, miniature talk, but itâs comfortable now. Itâs because of the snot. If that hadnât happened I would have been nervous and resentful, and she would have forgotten me or treated me like some kind of ghetto foster child.
âIâm heading back out before the sun goes down,â she says.
âJust going to finish unpacking,â I say. I refrain from saying thank youâ
Thank you for
the house.
Before she leaves, she returns with some paper towels and cleans up the water she dripped on the floor.
6
MY MOM AND I HAVE DINNER TOGET HER IN OUR NEW house, at our new table. She has given me a section of the shooting script for tomorrow.
EXT. HUTâDAY
EX TREME CLOSE-UP ON Sa mantha, deep in conc entration. A mosquit o lands on her cheek . She flinches, trie s to peer down at it , then slaps her fac e.
RICK
If I could b e a bug on that face .
SAMANTHA
Then youâ d be dead, idiot.
RI CK
Oh. Right.
PAN OU T to the arid land. A Jeep is seen in th e distance, driving closer to them, and very recklessly.
RI CK
Are we supposed t o get in that thing?
SAMANTHA
If youâre afraid of a Jeep, th en weâre in for a lo ng ride.
RICK looks her over, unabashedl y. Sheâs wearing a l oose, white tank top , damp with sweat. H er legs are golden a nd glistening.
SAMAN THA
Can I help you w ith something?
RICK
Actually, I was going to offe r to help you with s omething.
Her eyebro ws arch, intrigued.
RICK
Your breasts.
S AMANTHA
Excuse me?
R ICK
Iâm the breast i n the west. I can gi ve you a discount wh en we get back to th e States.
She is dis gusted, but he doesn ât notice. Heâs seri ous, and really look ing at them now, as if presented with a medical problem.
SAM ANTHA
(mumbles)
You âve got to be kiddin g me.
RICK
(using hand gestures)
A stro ng C would suit your frame. I like âem a little spaced apart , not so uptight, yo u know, and with the nipples
(more hand gestures to illustr ate his thoughts)
p ointed diagonally.
S AMANTHA
Just shut up right now.
The Jeep is almost to them.
RICK
What?
SAMANTHA
Just be a bug on my face.
The Jee p pulls up in front of them. They stand and dust themselves off. They are stunne d when theysee the ir driver, a GIRL wh o looks to be about twelve. She is sitti ng on pillows.
GIRL
Howzit! Welcome to Molo kana.
She smiles, re vealing a few gold t eeth.
GIRL (CONT â D)
Come on already, slo wpokes. I got work t o do, people to see, eel to eat.
RICK
Di d she just say eel?
SAMANTHA
She just sa id eel.
â¢Â â¢Â â¢
I give the script back to my mom. âCan you say ânipplesâ on TV?â
âI guess weâll see,â she says. âItâs bad, isnât it?â She
Sherrilyn Kenyon, Dianna Love, Laura Griffin, Cindy Gerard