to be here?
It doesn’t matter where I am. The whole world sucks.
3. What would you do if we let you out?
I’ll give you one guess.
Of course, I don’t say what I’m thinking.
That’s the thing about lies.
Once you get good at them,
they feel more natural than the truth,
almost as automatic as breathing,
and sometimes when I’m feeling
low and lost like now,
I can’t even tell the difference.
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Some Friend I Am
It was Skylar in the lobby
making all that commotion,
because she came back
with fresh gauze on her arm
and two curvy, red lines
bleeding through the cloth like smiles.
Here’s the problem with that.
It’s not that I think any less of her
even though my heart cringes a little
because I know she wanted to stay clean.
It’s not that the butterfly’s dead
even though she named it for me
and thinking of myself as a dead insect
sort of sucks.
It’s not even that I’m worried
about what’ll happen to Skylar next
even though the Pomeranian
is talking to her waaaay too long.
The problem is this:
I can’t be there for her
even though I want to,
because those two tiny lines
are a huge freaking trigger
and they’re making me
double over and sweat
until all I can think about
is ripping apart my own cuts
with my shaky bare hands.
How screwed up is that?
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I Hate It When People Say
If cutting’s so bad, you should just quit.
Yeah, right.
Like I can snap my fingers
and make my blades disappear.
They have absolutely no idea
how freaking hard it is to stop.
Why don’t you just quit breathing?
That’s what I want to say.
Let’s see how that works out for you.
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Roger Must Have Some Kind of Radar
Because he taps me on the shoulder and leads
me to his office, which is barely big enough
for a goldfish, by the way.
I’m still feeling triggered and edgy
and I expect him to say a bunch of
touchy-feely crap like:
Tell me what you’re feeling now.
Or
Does Skylar’s arm make you upset?
Or
What kind of memories does this bring up for you?
The last thing I expect is for him to lean over,
open his desk drawer and pull out a jelly jar.
But that’s exactly what he does.
Only there isn’t jelly in it anymore.
It’s filled with water and glitter,
kind of like a snow globe
but way more beautiful,
because the flecks are thick and gold
and mesmerizing in the weirdest way.
Roger calls it a calming jar.
He gives it a little shake and hands it to me,
and while I’m watching the liquid swirl
and the glitter blink like a billion stars,
the strangest thing starts to happen.
I feel my breathing steady and my pulse slow down,
and a trail of goose bumps tiptoe up my arms,
just like when I was little, and Mom traced letters
on my back with her finger.
I wish I could take the jar to my room and shake it
for like the next 26 hours until I get out of here.
But there’s no chance of that, on account of the glass.
So I watch it for as long as I can in Roger’s office,
until the blanket of gold folds on itself one last time,
and the glitter settles to the bottom like star dust.
Roger tells me he’ll give me the recipe,
to make a calming jar of my own at home,
because sometimes, he says, all you need is a distraction.
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Things to Do Instead of Cutting
Roger wants to use afternoon group
for a mega-brainstorming session.
We’re gonna go through everyone’s problems.
Starting with cutting.
He comes up with a few ideas