I’d be fine again.
I opened the file labelled ‘Intro’. It was the rough draft I’d done for part of the introduction to Turning On , and I stood there in front of the computer, scrolling down through it. I remembered each paragraph as I read it, but couldn’t have anticipated, at any point, what was going to come next. I had written this, but it didn’t feel like I had written it.
Having said that, however – and it would be disingenuous of me not to admit it – what I was reading was clearly superior to anything I might have written under normal circumstances. Nor, in fact, was it a rough draft, because as far as I could see, this thing had allthe virtues of a good, polished piece of prose. It was cogent, measured , and well thought out – precisely that part of the process that I usually found difficult, even sometimes downright impossible. Whenever I spent time trying to devise a structure for Turning On , ideas would flit around freely inside my brain, OK, but if I ever tried to box any of them in, or hold them to account, they’d lose focus and break up and I’d be left with nothing except a frustrated feeling of knowing each time that I was going to have to start all over again.
Last night, on the other hand – apparently – I had nailed the whole goddamned thing in one go.
I stubbed out my cigarette and stared in wonder at the screen for a moment.
Then I turned and went into the kitchen to put on some coffee.
*
As I was filling the percolator and preparing the filter, and then peeling an orange, it struck me that I felt like a different person. I was self-conscious about every movement I made, as if I were a bad actor doing a scene in a stage drama, a scene set in a kitchen that was improbably tidy and where I had to make coffee and peel an orange.
This didn’t last for very long, though, because there was an incipient old-style mess in the trail of breakfast spoor I left behind me across the work-top spaces. Ten minutes saw the appearance of a milk carton, an unfinished bowl of soggy Corn Flakes, a couple of spoons, an empty cup, various stains, a used coffee filter, bits of orange peel and an ashtray containing the ash and butt-ends of two cigarettes.
I was back.
Concern about the state of the kitchen, however, was merely a ploy. What I didn’t want to think about was being back in front of the computer. Because I knew exactly what would happen once I was. I would attempt to move on to the rest of the introduction – as though this were the most natural thing in the world – and of course I’d freeze up. I wouldn’t be able to do anything. Then in desperation I’d go back to the stuff I’d done last night and startpicking at it – pecking at it, like a vulture – and sooner or later that, too, would all come apart.
I sighed in frustration and lit up another cigarette.
I looked around the kitchen and considered tidying it again, returning it to its pristine state, but the idea stumbled at the first post – the soggy bowl of cereal – and I dismissed it as forced and unspontaneous. I didn’t care about the kitchen anyway, or the arrangement of the furniture, or the alphabetized CDs – all of that was sideshow stuff, collateral damage if you like. The real target, and where the hit had landed, was inside there in the living-room, right in the middle of my desk.
*
I extinguished the cigarette I’d lit only moments earlier – my fourth of the morning – and walked out of the kitchen. Without looking over at the computer, I crossed the living-room and went into the bedroom to get dressed. Then I went into the bathroom and brushed my teeth. I came back into the living-room, took the jacket I’d left draped on a chair and searched through the pockets. I eventually found what I was looking for: Vernon’s card.
Vernon Gant – it said – consultant. It had his home and cellphone numbers on it, as well as his address – he lived on the Upper East Side now, go figure. It also