Moody shared nearly all their classes, from biology to Honors English to health. The first two weeks of school, he guided her through the hallways with the confidence only a sophomore could have, telling her which water fountains were the coldest, where to sit in the cafeteria, which teachers would give you a tardy slip if they caught you in the halls after the late bell, and which would wave you on with an indulgent smile. She began to navigate the school with the help of the murals, painted by students over the years: the exploding Hindenburg marked the science wing; Jim Morrison brooded by the auditoriumbalcony; a girl blowing pink bubbles led the way to the mysteriously named Egress, a cavernous hallway that doubled as overflow lunchtime seating. A trompe lâoeil row of lockers marked the hallway down to the Social Room, a lounge designated for the seniors, where there was a microwave for making popcorn during free periods, and a Coke machine that cost only fifty cents instead of seventy-five like the ones in the cafeteria, and a chunky black cube of a jukebox left over from the seventies and now loaded with Sir Mix-a-Lot and Smashing Pumpkins and the Spice Girls. The year before, one student had painted himself and three friends, peeking down Kilroy-style, in the domed ceiling near the main entrance; one of them was winking, and every time Pearl passed beneath the dome she felt they were welcoming her in.
After school she went to the Richardsonsâ house and sprawled on the sectional in the family room with the older children and watched Jerry Springer. It was a little ritual the Richardson kids had developed over the past few years, one of the few times they agreed on anything. It had never been planned and it was never discussed, but every afternoon, if Trip didnât have practice and Lexie didnât have a meeting, they gathered in the family room and turned to Channel 3. To Moody, it was a fascinating psychological study, every episode another example of just how strange humanity could be. To Lexie, it was akin to anthropology, the stripper moms and polygamous wives and drug-dealing kids a window into a world so far from hers it was like something out of Margaret Mead. And to Trip, the whole thing was pure comedy: a glorious slapstick spectacle, complete with bleeped-out tirades and plenty of chair throwing. His favorite moments were when guestsâ wigs were pulled off. Izzy found the whole thing unspeakably idiotic and barricaded herself upstairs, practicing her violin. âThe only thing Izzy actually takes seriously,â Lexieexplained. âNo,â Trip countered, âIzzy takes everything too seriously. Thatâs her problem.â
âThe ironic thing,â Lexie said one afternoon, âis that in ten years weâre going to see Izzy on
Springer.
â
âSeven,â Trip said. âEight at most. âJerry, Get Me Out of Jail!ââ
âOr âMy Family Wants to Commit Me,ââ Lexie agreed.
Moody shifted uncomfortably in his seat. Lexie and Trip treated Izzy as if she were a dog that might go rabid at any minute, but the two of them had always gotten along. âSheâs just a little impulsive, thatâs all,â he said to Pearl.
âA little impulsive?â Lexie laughed. âYou donât really know her yet, Pearl. Youâll see.â And the stories began to pour out, Jerry Springer temporarily forgotten.
Izzy, at ten, had been apprehended sneaking into the Humane Society in an attempt to free all the stray cats. âTheyâre like prisoners on death row,â sheâd said. At eleven, her motherâconvinced that Izzy was overly clumsyâhad enrolled her in dance classes to improve her coordination. Her father insisted she try it for one term before she could quit. Every class, Izzy sat down on the floor and refused to move. For the recitalâwith the aid of a mirror and a SharpieâIzzy had written NOT