appeared, and performed the necessary errand, and disappeared again. Now, with Hope's requests, the first time of asking sounded like the second time of asking, and the second time of asking sounded like the ninth. Less and less often Guy would try to hoist the baby into his arms (under the doubtful gaze of nanny or night-nurse, or some other of Marmaduke's highly-paid admirers), saying, rather self-consciously, 'Hello, man-cub.' Marmaduke would pause, reviewing his options; and Guy's bashfully inquiring face would somehow always invite a powerful eye-poke or a jet of vomit, a savage rake of the nails, or at the very least an explosive sneeze. Guy shocked himself by suspecting that Hope kept the infant's nails unclipped the better to repel him. Certainly his face was heavily scored; he sometimes looked like a resolute but talentless rapist. He felt supererogotary. The meeting, the rendezvous, it just hadn't happened.
So two of everything, except lips, breasts, the walls of intimacy, enfolding arms, enfolding legs. But that wasn't really it. What had meant to come closer had simply moved further away. Life, therefore, could loom up on him at any moment. He was wide open.
Guy and Hope had been away twice since the birth, on doctor's advice: their doctor's, not Marmaduke's. They left him in the care of five nannies, plus an even more costly platoon of medical commandos. It had been strange, leaving him behind; Guy fully participated in Hope's dread as the cab made its way to Heathrow. Fear was gradually eased by time, and by half-hourly telephone calls. The inner ear was tuned to infant grief. If you listened closely, everything sounded like a baby crying.
First, Venice, in February, the mist, the cold troubled water – and miraculously carless. Guy had never in his life felt closer to the sun; it was like living in a cloud, up in a cloudy sea. But many of the mornings were sombre in mood and sky (dank, failed), and seemed best expressed by the tortured and touristless air of the Jewish Quarter, or by the weak dappling on the underside of a bridge (where the pale flames pinged like static, briefly betrayed by a darker background) – or when you were lost among the Chinese boxes, the congestion of beauties, and you could have likened yourselves to Shakespearean lovers until there came the sound of a wretched sneeze from an office window near by, then the nose greedily voided into the hanky, and the resumption of the dull ticking of a typewriter or an adding machine.
On the fifth day the sun burst through again inexorably. They were walking arm in arm along the Zattere towards the café where they had taken to having their mid-morning snack. The light was getting to work on the water, with the sun torpedoing in on every pair of human eyes. Guy looked up: to him the sky spoke of Revelation, Venetian style. He said,
'I've just had a rather delightful thought. You'd have to set it as verse.' He cleared his throat. 'Like this:
The sun, the sun, the . . . daubing sun:
The clouds are putti in its hands!'
They walked on. Hope's oval face looked resolute. The juices in her jaw were already addressing the toasted cheese-and-ham sandwich she would presently enjoy; then the notebook, the little Amex guide, the creamy coffee. 'Dreadful pun, I suppose,' Guy murmured. 'Oh, God.' A press of sightseers confronted them. As they forged through, with Hope taking the lead, their arms were sundered. Guy hurried to catch up.
'The tourists,' he said.
'Don't complain. That's idiotic. What do you think you are?'
'Yes but –'
'Yes but nothing.'
Guy faltered. He had turned to face the water and was craning his neck in obscure distress. Hope closed her eyes longsufferingly, and waited.
'Wait, Hope,' he said. 'Please look. If I move my head, then the sun moves on the water. My eyes have as much say in it as the sun.'
'. . . Capisco. '
'But that means – for everyone here the sun is different on the water. No two people are seeing the same
Shauna Rice-Schober[thriller]