synagogue in which Baruch Spinoza had been excommunicated more than three centuries before, and after a few blocks passed Rembrandt's old home in the Zeestraat.
"He died in poverty and disgrace," said Mendes in an ordinary tone as they passed the old house.
Vincent looked up at him quickly. Mendes had a habit of piercing to the heart of a problem before one even mentioned it. There was a profound resilience about the man; things one said seemed to be plunged into fathomless depths for consideration. With Uncle Jan and Uncle Stricker, one's words hit a precise wall and bounced back fast to the tune of yes! or no! Mendes always bathed one's thought in the deep well of his mellow wisdom before he returned it.
"He didn't die unhappy, though," said Vincent.
"No," replied Mendes, "he had expressed himself fully and he knew the worth of what he had done. He was the only one in his time who did."
"Then did that make it all right with him, the fact that he knew? Suppose he had been wrong? What if the world had been right in neglecting him?"
"What the world thought made little difference. Rembrandt had to paint. Whether he painted well or badly didn't matter; painting was the stuff that held him together as a man. The chief value of art, Vincent, lies in the expression it gives to the artist. Rembrandt fulfilled what he knew to be his life purpose; that justified him. Even if his work had been worthless, he would have been a thousand times more successful than if he had put down his desire and become the richest merchant in Amsterdam."
"I see."
"The fact that Rembrandt's work brings joy to the whole world today," continued Mendes, as though following his own line of thought, "is entirely gratuitous. His life was complete and successful when he died, even though he was hounded into his grave. The book of his life closed then, and it was a beautifully wrought volume. The quality of his perseverance and loyalty to his idea is what was important, not the quality of his work."
They stopped to watch men working with sand carts near the Y, and then passed through many narrow streets with gardens full of ivy.
"But how is a young man to know he is choosing rightly, Mijnheer? Suppose he thinks there is something special he must do with his life, and afterwards he finds out he wasn't suited to that at all?"
Mendes drew his chin out of the collar of the coat, and his black eyes brightened. "Look, Vincent," he cried, "how the sunset is throwing a ruddy glow on those grey clouds."
They had reached the harbour. The masts of the ships and the row of old houses and trees on the waterfront were standing out against the colour and everything was reflected in the Zee. Mendes filled his pipe and passed the paper sack to Vincent.
"I am already smoking, Mijnheer," said Vincent.
"Oh yes, so you are. Shall we walk along the dyke to Zeeburg? The Jewish churchyard is there and we can sit for a moment where my people are buried."
They walked along in friendly silence, the wind carrying the smoke over their shoulders. "You can never be sure about anything for all time, Vincent," said Mendes. "You can only have the courage and strength to do what you think is right. It may turn out to be wrong, but you will at least have done it, and that is the important thing. We must act according to the best dictates of our reason, and then leave God to judge of its ultimate value. If you are certain at this moment that you want to serve Our Maker in one way or another, then that faith is the only guide you have to the future. Don't be afraid to put your trust in it."
"Suppose I am qualified?"
"To serve God?" Mendes looked at him with a shy smile.
"No, I mean qualified to become the sort of academic clergyman that the University turns out."
Mendes did not wish to say anything about Vincent's specific problem; he wanted only to discuss its more general phases and let the boy come to his own decision. By now they had reached the Jewish churchyard. It was very