looked like a liquid to Charlotte, but like some shadowed thing slowly reaching out tentacles, sending them questing across the marble floor. They reminded her of tree roots groping blindly through the earth for sustenance. Even as she watched, the first tendril had found a patch of shadow, cast by the holder that Babbas had removed the torch from. The tendril (or root? or feeler? she did not know how to explain what she was seeing) writhed furiously as it reached the shadow, thickening and pulsing. The shadow itself seemed to bulge and sway and then it was solid, more solid than it ought to be. She could not see the floor through it. More tendrils found other shadows, moving with a greedy hunger, and with them came a sound.
It was the noise of insects in the night-time, of unidentifiable slitherings and raspings, of rustling feet and creaking, ominous walls. Claws tickled across hard floors and breathing came, low and deep. There was the whisper of saliva slipping down teeth as yellow and huge as the bones of long-dead monsters, of hate given voice and pain that hummed in the blood.
Charlotte tried to scream as the noise slipped about her but the air became locked in her throat as she looked at her feet and saw that the questing tendrils had reached her. They caressed her gently and then the shadows between her toes thickened, became as impenetrable as velvet. When she tried to lift her foot to kick them away, she felt them cling with a warm tenacity that nuzzled gently at her instep and the back of her ankle. It was soft, like the touch of a lover, and it pulsed with a rhythm all of its own, and then she screamed.
Charlotte stumbled back as she screamed, and it seemed to her as she stumbled that her own shadow felt different, had a weight and a solidity that it had never had before. She felt it hold on to her knees and ankles, slipping across her skin like rough silk. She kicked out, knowing the irrationality of being frightened of your own shadow but kicking nonetheless, and then her back hit something else, something warm and she screamed even louder. The warm thing wrapped itself around her and she caught a flash of light at her side. She recognized the same sweet, sickly smell as she had caught before and then Babbas was saying in her ear, "It is alright. Do not panic."
The old man had the torch in front of Charlotte, its flaming head close to the floor. He swept it around in great arcs, forcing it into the shadows and using it as though he were driving an animal away. He was breathing hard, the air coming from his mouth in heavy puffs across her cheek. It was warm and moist and made her want to cringe. The heat of the torch flashed near her foot and she yelped in surprise and pain. She started to cry, helpless in his arms, tears of frustration and fear and anger rolling down her face. She closed her eyes and waited, useless, until the old man let her go.
"It is gone," he said simply. Charlotte heard the rattle of the torch being placed back onto its stand. Trembling, she opened her eyes.
The cavern was normal again or at least, as normal as it had been when she first saw it. The walls still seemed to move with a fluid, balletic grace around her, the light from the torches giving the colours life. Now, the vibrancy she felt was a blessing, something that pinned the contents of the pit down with its warmth and vitality.
"What was that?" she asked, hearing the idiocy of the question but having to ask anyway.
"Darkness," said Babbas. "There are places where darkness gets into the world, through pits and caverns and sunless spots. The Order of St John of Patmos is dedicated to finding these places and to keeping in them the light of God, to keeping the darkness at bay. It has been my job on this island for many years, and now it is yours."
Babbas went past Charlotte and stepped through one of the openings carved into the cavern's wall.
Missy Tippens, Jean C. Gordon, Patricia Johns