distract him instead. âItâs only a dance,â I say. I lead him to my bedroom and we make love. Afterward, he isnât angry. But heâs not happy, either, and he doesnât offer to take me to dinner.
I spend the night alone, feeling anxious. I am unable to sleep for the longest time, and when I finally do, my dreams take me to my darkest times in Java.
*Â Â Â Â *Â Â Â Â *
Iâm in no mood to rehearse the following day. It is a clear day and I wander the boutiques along the Champs-Ãlysées with the money Edouard left for me. I can hear his voice in my head, scolding me. âOnly for important expenses!â But today everything feels tremendously important: the hand-painted silk scarf in aquamarine, thestunning citrine ring and matching necklace, the bronze incense burner I discover in a shop run by an Egyptian man and his son. Nothing could feel better than this. Then I see a young girl begging outside of an expensive clothing shop and all of my happiness turns to dust. The girl has dark hair and wide dark eyes. Her arms look thin. She holds out her cupped hands and I tell her to wait while I go inside. When I come out, I wrap a new cashmere shawl around her shoulders. She begins to cry. âThank you, madam. Thank you,â she keeps saying.
âItâs nothing, little one,â I tell her. âWhere are your parents?â
âMaman is gone.â Meaning dead. âPapa is working.â
âWhat does he do?â
She shakes her head. âI donât know.â
I buy her a warm baguette and several slices of meat. When I return home, my purse is empty, but Guimet has completely vanished from my thoughts.
*Â Â Â Â *Â Â Â Â *
Comtesse de Loynes phones to tell me that the snake has arrived. Edouard is sitting across from me, looking completely at home in one of a pair of aubergine chairs he bought for my apartment. As soon as I click the receiver back into place, he wants to know why the wealthiest woman in France is calling me at home.
âWhy isnât she calling me at my office?â
âPerhaps because youâre not there,â I offer. He doesnât find my answer humorous. I can see by the look on his face that he is concerned. âDonât look so grumpy,â I say. âIâve planned a surprise.â Or a disaster.
He fixes me with his eyes. âI donât like surprises.â
*Â Â Â Â *Â Â Â Â *
âMata Hari!â Jeanne moves swiftly down the steps and kisses both of my cheeks. We walk arm in arm into her foyer, and for the second time in a week I am surprised by how little taste she possesses for furniture. The mirrors are ridiculously ostentatious. Her ornate chairs must have started life in Versailles; they look too complicated to sit on. She leads me into the foyer where the walls are frescoed with pasture scenes. Waiting for me is a man standing next to a crate. I smell straw and hear rustling. If I live to be a hundred, I vow silently, I will never boast about snake handling again.
âMata Hari, this is Ishan,â Jeanne says. âHe comes to us all the way from Bombay, not so far from where you were born, I believe?â
His face registers surprise; I hold his eyes and he keeps his silence.
âI know you must be eager to begin your rehearsal,â Jeanne continues, âso Iâll leave you two alone.â She shuts the door and the expectation on her face is almost embarrassing to witness. She should learn to better conceal her emotions.
I look at the crate. âThe snake is inside?â
âYou have never handled a snake before,â he says.
âNo. And Iâm afraid of snakes.â
He sighs. âThe key is not to be afraid.â He reaches inside the box and lifts out a glistening creature that is much larger than I anticipated. It must be at least six feet long and itâs very muscular. Its forked tongue flicks in my
Kevin J. Anderson, Rebecca Moesta