illness I went to Vienna to take the entrance examination for the Academy of Fine Arts. Armed with a bulky packet of sketches, I felt convinced that I should pass the examination quite easily. At the Realschule I was by far the best student in the drawing class, and since that time I had made more than ordinary progress in the practice of drawing. Therefore I was pleased with myself and was proud and happy at the prospect of what I considered an assured success.
But there was one misgiving: It seemed to me that I was better qualified for drawing than for painting, especially in the various branches of architectural drawing. At the same time my interest in architecture was constantly increasing. And I advanced in this direction at a still more rapid pace after my first visit to Vienna, which lasted two weeks. I was not yet sixteen years old. I went to the Hof Museum to study the paintings in the art gallery there; but the building itself captured almost all my interest, from early morning until late at night I spent all my time visiting the various public buildings. And it was the buildings themselves that were always the principal attraction for me. For hours and hours I could stand in wonderment before the Opera and the Parliament. The whole Ring Strasse had a magic effect upon me, as if it were a scene from the Thousand-and-one-Nights.
And now I was here for the second time in this beautiful city, impatiently waiting to hear the result of the entrance examination but proudly confident that I had got through. I was so convinced of my success that when the news that I had failed to pass was brought to me it struck me like a bolt from the skies. Yet the fact was that I had failed. I went to see the Rector and asked him to explain the reasons why they refused to accept me as a student in the general School of Painting, which was part of the Academy. He said that the sketches which I had brought with me unquestionably showed that painting was not what I was suited for but that the same sketches gave clear indications of my aptitude for architectural designing. Therefore the School of Painting did not come into question for me but rather the School of Architecture, which also formed part of the Academy. At first it was impossible to understand how this could be so, seeing that I had never been to a school for architecture and had never received any instruction in architectural designing.
When I left the Hansen Palace, on the Schiller Platz, I was quite crestfallen. I felt out of sorts with myself for the first time in my young life. For what I had heard about my capabilities now appeared to me as a lightning flash which clearly revealed a dualism under which I had been suffering for a long time, but hitherto I could give no clear account whatsoever of the why and wherefore.
Within a few days I myself also knew that I ought to become an architect. But of course the way was very difficult. I was now forced bitterly to rue my former conduct in neglecting and despising certain subjects at the Realschule. Before taking up the courses at the School of Architecture in the Academy it was necessary to attend the Technical Building School; but a necessary qualification for entrance into this school was a Leaving Certificate from the Middle School. And this I simply did not have. According to the human measure of things my dream of following an artistic calling seemed beyond the limits of possibility. After the death of my mother I came to Vienna for the third time. This visit was destined to last several years. Since I had been there before I had recovered my old calm and resoluteness. The former self-assurance had come back, and I had my eyes steadily fixed on the goal. I would be an architect. Obstacles are placed across our path in life, not to be boggled at but to be surmounted. And I was fully determined to surmount these obstacles, having the picture of my father constantly before my mind, who had raised himself by his own efforts